Presenting The 'War/Photography' Video Trailer

Our next exhibit, WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath, debuts next month. The show, organized by The Museum of Fine Arts, Houston, will include over 150 images that present both the military and civilian point of view of war. Mark your calendars - WAR/PHOTOGRAPHY opens Saturday, March 23, 2013 Watch the video teaser for the exhibit above.

Carlos Orjuela Visits The Space

By now, Los Angelenos have seen the face of U.S. Marine Gysgt. Carlos “OJ” Orjuela all over the city. Louie Palu's powerful photo of Orjuela was part of our street banner campaign. The latter came in with his son for the final weekend of War/Photography. Read Palu's story behind the photograph here and our interview with Orjuela here.

Learn More About This Photo From WAR/PHOTOGRAPHY

Private First Class Wayne C. Weidner, assumed American, dates not known
Personnel of Battery B, 937th Field Artillery Battalion, US 8th Army, Attached to the IX US Corps, Fire Their Long Toms on Communist Targets in Support of Elements of the 25th US Infantry Division on the West Central Front, Near the Village of Nunema, Korea, 1951

This powerful photo from our upcoming War/Photography exhibit was taken by Private First Class Wayne Weidner during the Korean War. Want to know how the image was photographed? An excerpt from the accompanying 600-page exhibit catalogue, soon to be on sale the day the show opens on March 23, explains:

Another artillery photograph in this section was taken during the Korean War of personnel in Battery B, 937th Field Artillery Battalion, U.S. 8th Army, firing on Communist targets in support of the 25th U.S. Infantry Division near the village of Nunema, Korea (1951). The self-propelled guns seen in this photograph are artillery placed on a motorized chassis capable of rapid maneuver. “Fast-moving forces of armored infantry and tanks needed their artillery to keep pace with the advance,” wrote Jeffrey Hunt. “Weapons of this type could be brought into action very quickly and with devastating consequences for an enemy caught unprepared or above ground. And, as in this picture, the firing of heavy guns, whether on land or aboard ship, is a visually stunning spectacle.” Taken at night, the camera’s lens was held open until both guns had fired, illuminating the scene with explosions and the reflected light from the snow.

Click here to watch a preview of the exhibit.

Photos From The War/Photography Opening Gala

Last night was the opening party for our 11th exhibit, WAR/PHOTOGRAPHY. The show opens to the public on Saturday, March 23, 2013.

As you might expect, The show is very powerful and quite moving. It is a difficult yet very important subject matter.

It was also a great opportunity to see photographers whose images are featured in the exhibit get together with photographers from our past shows. Seen here are Barbara Davidson (2010 Pictures of the Year), Kirk McKoy (Los Angeles) and Nick Ut (WAR/PHOTOGRAPHY).

Two Pulitzer Prize winners whose work is in WAR/PHOTOGRAPHY: David Hume Kennerly and Nick Ut.

Here is Beauty Culture featured photographer Lauren Greenfield with (and another Pulitzer Prize winner!) Barbara Davidson.

 Also in the crowd was actor and SHFT co-founder Adrian Grenier.

Around halfway through the event, attendees gathered in the Digital Gallery of the Space to view the original short documentary film. At the conlusion of the film, there were more than a few guests who were moved to tears.

Here's a shot of some of the photographers whose work is in WAR/PHOTOGRAPHY: (From left to right) Carolyn Cole, Ashley Gilbertson, Nick Ut, Luis Sinco, Hayne Palmour IV and Edouard H.R. Glück.

The show opens to the public tomorrow, March 23 and runs through June 2, 2013.

Photos by Unique Nicole for the Space

Louie Palu: Behind The Photograph

© Louie Palu; U.S. Marine Gysgt. Carlos “OJ” Orjuela, age 31, Garmsir District, Helmand Province, Afghanistan, from Project: Home Front (2008)

By Louie Palu

Louie Palu, Kandahar, Afghanistan in 2010

In the summer of 2008, I spent several months covering frontline fighting around the volatile districts west of the city of Kandahar in Afghanistan. By August I was preparing to move from an area under Canadian Army command in Kandahar to one in neighbouring Helmand Province where the United States Marines had been fighting. When I arrived at the Marine’s headquarters the public affairs officer asked me what I wanted to do. I asked her to send me to the combat outpost located in the worst area with the most austere conditions. I was told to meet a Marine at a tent on the flight path at Kandahar Airfield around midnight and they would take me on a C-130 military aircraft, then a helicopter followed by a heavily armed convoy (a journey totaling several days) and finally arriving in Garmsir District at Forward Operating Base (FOB) Apache North. As expected from my 2+ years covering the war, it was 120 degrees Farenheit everyday, 4-6 patrols per day, no running water or toilet and sand fleas biting me all night.

At 31, U.S. Marine Gunnery Sergeant Carlos Orjuela was one of the oldest Marine’s in the unit at the FOB. Most of the Marines in the unit were just 21-years-old. The conditions were so rough there that for me what said the most about this place was the faces of these young men. Everyday I spent several hours talking to each Marine and getting to know them, sometimes it took several days to build a connection. When we returned to the FOB at the end of each patrol I took a Marine into an empty bunker where there was natural light and took some portraits of them for about 5-10 minutes. Carlos was the very first Marine I photographed for this body of work.

WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath will show at the Annenberg Space for Photography through June 2, 2013. Learn more about Louie Palu on his official website.

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