For those of you who have visited Who Shot Rock & Roll, you may have noticed that the exhibit features several music videos playing throughout the space. One of them is energetic video for the The Vines’ song "Outtathaway." The piece was directed by David LaChapelle, who has several images (including this one of Eminem) in the show. While it's not the same as watching the clip amidst the rest of the images in the Photography Space gallery, you can check out the colorful, gorgeous and kinetic music video above. Wonder who had to clean up the mess created at the end of the clip?
|Marianne Faithfull, Salisbury Pub, St. Martin's Lane, London (1964) © Gered Mankowitz|
By Gered Mankowitz
This photograph of Marianne Faithfull in the Salisbury Pub in London’s St. Martins Lane, is probably one of the most important photographs I have taken.
I had known Marianne for a few months having met her when she was promoting her first single “As Tears Go By” around June of 1964, and had immediately fallen under her spell. She was gorgeous, bright & funny and I started photographing her the next day! After a few months of taking photographs and hanging out I suggested that we shoot a session in the Salisbury with my eye on producing an image for an album cover. The pub landlord was accommodating and we spent a couple of hours taking various different portraits. This shot was one of my favourites – the composition, those socks – it just looked gorgeous, but Decca Records rejected it on the grounds that the men reflected in the mirror behind Marianne were distracting and were looking at her in a lecherous manner! They ended up using a far less interesting image from the same session and this shot lounged in my archive, unseen until the 80s.
However, her manager at the time was Andrew Loog Oldham and he loved the session and as a result asked me to shoot with his other band – The Rolling Stones. I shot my first session with the band in early 65 and continued to work with them regularly until 1967. So, because of my shoot with Marianne I came to the attention of one of the most exciting bands of the time and my career as a music photographer was established!
See Gered Mankowitz's other images in Who Shot Rock & Roll, currently showing at the Annenberg Space for Photography through October 21, 2012. To learn more about the photographer and his work visit his official website.
|© Edward Colver, Henry Rollins, outtake for Black Flag's Damaged album, Los Angeles, California, 1981|
By Henry Rollins
Ed Colver’s photo of me hitting the mirror has become one of those bookmarks in the great text of independent music. As far as a photo being used on the cover of Black Flag’s first full studio album, Damaged, I am glad it was Ed who took the shot. His integrity and dedication to his work matched ours - It was a perfect fit. Ed captured images from the Southern California Hardcore scene like no one else. If it were not for him, a lot of that history would be nothing but mere tall tales. Ed and I have a very rare relationship. Even though there were other people in the room when that photo was taken, in the shot itself, it was just Ed and myself.
See Ed Colver's other images in Who Shot Rock & Roll, currently showing at the Annenberg Space for Photography through October 21, 2012. To learn more about the photographer and his work visit his official website.
|© Charles Peterson. Mosh Pit at Endfest, 1991|
Well you got it. As you know, the exhibit has been extended through October 21, but we've also just announced that we're staying open later during the last weekend of the show. Introducing Who Shot Rock & Roll: The Final Countdown! It begins Thursday October 18.
So what will those extended hours be? Here you go:
Thursday, October 18, 10am–10pm
Friday, October 19, 10am–Midnight
Saturday, October 20, 10am –Midnight
Sunday, October 21, 11am–6pm
This is the last chance for anyone to see the exhibit in
Los Angeles the United States before it travels to its next and last stop: New Zealand. Come join the Final Countdown in just a few short weeks.
Look who showed up at Lynn Goldsmith's IRIS Nights lecture last week to support the photographer during her presentation. It's Merry Clayton (best known as the female vocalist on the Rolling Stones' "Gimme Shelter") and music legend Bill Withers. Goldsmith's outstanding lecture was chock full of memorable stories and we also learned a lot about her photography and the music industry in general. Look for her lecture on our site very soon!
Or your dining room. Or where ever you want really because one of those street banners can be yours to own and do with however you want!
For a limited time, we are offering all four variations of the vinyl banners for sale. You can choose from Florence Welch of Florence & the Machine, Kurt Cobain or Tina Turner. Our John Lennon banners are already completely sold out. Don't worry - even though they've been hanging out in the clean LA air over the last few months, they'll be professionally cleaned when you receive them.
Click here for more information on how to get one.
Film actress, director and producer Rosanna Arquette taking in the Who Shot Rock & Roll exhibit. See which other celebrities have stopped by here.
|Chrissie Hynde of the Pretenders, Nashville Rooms, London © David Corio|
By David Corio
The Nashville Room was a big grotty venue on the corner of Cromwell Road and North End Row in West Kensington. It was a music mecca in the 1970s where many bands including the Sex Pistols, The Police, U2 and Joy Division got some of their first shows. This was an early gig for The Pretenders and Chrissie Hynde was already making a name for herself as she was close to several hip music journalists. I hadn’t been commissioned but was curious about the band as they were generating so much buzz. As with many of the shows here it was packed and the heat was almost unbearable. It was best to arrive early, particularly on a cold night as it could take ages for the camera lenses to warm up and lose their condensation. There is nothing more frustrating than being at a show and only being able to get soft focus photos.
As usual the small stage lights weren't very bright so I uprated my Tri-X film to 1600ASA to avoid camera shake and blur. It was virtually impossible to squeeze to the front of the tiny stage and with so many heads in the way the only alternative was to climb onto a table and balance on it to get a better vantage point. It gave me a clear view before being pushed off after about ten minutes but I managed to shoot half a roll of film - quite a luxury.
By this stage the music scene was being labeled 'post punk' and it was easier to take photos during this time than it was during punk's heyday a year or so earlier when the audience would be pogo dancing and spitting at the stage. Invariably being at the front photographers would come out the worse for wear. That is part of the punk scene I don't miss at all!
Does that face look familiar? It should. That's Diane Keaton, who stopped by to take in Who Shot Rock & Roll before the show ends next month. The Hollywood legend said she loved the exhibit and the accompanying orginal film. Keaton (seen here with our very own ASP legend, Marissa), gracisouly agreed to pose for a picture but wanted to stand in front of the Elvis Presley (she must be a big fan!) video which greets guests as they enter the Space. Glad you enjoyed the exhibit, Diane!