-
Alex Kuczynski and Susan AndersonThe Gold Standard
-
Frank OckenfelsFrank Ockenfels
-
Amber ValettaForever Young?
-
Elaine D'Farley and Philip GefterBeauty: The Real vs. The Ideal
-
Lauren GreenfieldLauren Greenfield
-
Randall Slavin with Charlize TheronThe Making of 24 Portraits
-
Peter FettermanEverything You've Always Wanted To Know About Collecting Fine Art...
-
David Fahey and Mark McKennaHerb Ritts - A Discussion
-
Kwaku AlstonUnique Beauty
-
Leonard NimoyGoddess: An Exploration of the Divine and the Secular Forms of Beauty
-
Davis FactorDavis Factor
-
Nikki Sixx with Kristine McKennaLife Through The Distorted Lens of Nikki Sixx
-
Ying Chu and Yu TsaiEastern Faces Through a Western Lens
-
Brian Bowen SmithWhat is Beauty?
-
Paul LangeGood Light Stories - Nuances, Shadows and Reflections on Seeing
-
Fadil BerishaThe True Meaning of Beauty
-
Andrew SouthamThe Half-Life of Beauty
-
Matthew RolstonbeautyLIGHT
-
Mark LaitaCreated Equal
-
Susan AndersonHigh Glitz: From Cinderella to Malibu Barbie
-
Melvin SokolskyBeauty Is In the Eye ~ The Time We Live In
-
Jill GreenbergFemininity, Feminism and My Work

For her senior thesis at the Rhode Island School of Design, photographer Jill Greenberg created a multimedia presentation called “The Female Object,” a project wherein she argued that the panoptical male gaze has become fully incorporated into female consciousness. Her “End Times” series drew on the raw distress of crying children as a means to illustrate the macabre ethos of fundamentalist Christianity and its impact on domestic and foreign policy alike.
Greenberg’s newest set of photographs debuting June 16th at ClampArt is “Glass Ceiling.” Some of the images feature members of the United States Olympic Synchronized Swim Team in the reasonable setting of a pool but with the unreasonable addition of high heels. The images focus on the interrelated themes of femininity, the marketplace and the uncomfortable implications of a world in which the former remains a commodity to be sold within the latter.
Greenberg’s work has been seen in such publications as Harper’s and The New Yorker andserved as covers for countless publications such as Time and Wired.
Greenberg will speak on her work as it relates to the range and history of practices of aggressive feminine body transformation, restrictive clothing and even corporal punishment of women.






















