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Lauren MarsolierTransition to a Digital World -
Josef AstorOn Assignment: Agenda vs Serendipity -
Angela Bacon-Kidwell“Why am I here and where am I going?” An exploration of self-awareness,... -
Doug RickardA New American Picture -
Nadine BoughtonAdventures in Digital Collage -
Julie BlackmonThe Power of Now and Other Tales From Home -
Richard EhrlichAnsel Adams Would Have Loved Photoshop -
Connie ImbodenReflections -
Todd BaxterAnatomy of Process in the Digital Age -
Douglas PrinceEvolving Vision: The Testimony of A Living Photo Fossil -
Andrea GalluzzoBeyond The Photograph -
Stanley SmithArt and Artifice: Constructing Photographs -
Ted Grudowski, Mike Pucher, Christopher SchnebergerThree Views on 3D -
Jodi CobbInside Closed Worlds -
Claudia KuninGhosts, Memories and Mirrors -
Michael B. Platt with Carol A. BeaneTransitions -
Joel GrimesThe Creative Revolution -
Greg Downing and Eric HansonPost-Digital: Expanding the Boundaries of Photography -
Brooke ShadenShocking Your Mind in the Digital Age -
Jean-François RauzierHyperphotography
Greg Downing of xRez Studio specializes in image-based 3D technologies and computational photography techniques. His photographic work has been displayed in several museums including the American Museum of Natural History, the Cincinnati Art Museum and the Denver Museum of Nature and Science. He has worked in film production as a technical director at Rhythm & Hues as well as Sony Pictures Imageworks on The Chronicles of Narnia, Spiderman 3 and I Am Legend. He teaches at the Gnomon School of Visual Effects in Hollywood.
Eric Hanson of xRez Studio is a Los Angeles-based visual effects artist, photographer and educator. He has worked with leading visual effects houses such as Digital Domain, Sony Pictures Imageworks, Dream Quest Images and Walt Disney Feature Animation, and his work can be seen in films such as The Day After Tomorrow, Cast Away and The Fifth Element. As an Associate Professor at the USC School of Cinematic Arts, he leads their curriculum in visual effects.