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Lauren MarsolierTransition to a Digital World
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Josef AstorOn Assignment: Agenda vs Serendipity
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Angela Bacon-Kidwell“Why am I here and where am I going?” An exploration of self-awareness,...
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Doug RickardA New American Picture
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Nadine BoughtonAdventures in Digital Collage
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Julie BlackmonThe Power of Now and Other Tales From Home
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Richard EhrlichAnsel Adams Would Have Loved Photoshop
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Connie ImbodenReflections
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Todd BaxterAnatomy of Process in the Digital Age
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Douglas PrinceEvolving Vision: The Testimony of A Living Photo Fossil
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Andrea GalluzzoBeyond The Photograph
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Stanley SmithArt and Artifice: Constructing Photographs
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Ted Grudowski, Mike Pucher, Christopher SchnebergerThree Views on 3D
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Jodi CobbInside Closed Worlds
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Claudia KuninGhosts, Memories and Mirrors
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Michael B. Platt with Carol A. BeaneTransitions
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Joel GrimesThe Creative Revolution
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Greg Downing and Eric HansonPost-Digital: Expanding the Boundaries of Photography
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Brooke ShadenShocking Your Mind in the Digital Age
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Jean-François RauzierHyperphotography

Joel Grimes, one of the artists featured in Digital Darkroom, has been working as a commercial advertising photographer for nearly 30 years. His fascination with photography began as a freshman in high school; and by the time he received a BFA in Photography from the University of Arizona, his passion for creating was all consuming.
In 1990, Grimes took a two-year sabbatical from his commercial work to produce a coffee table book entitled Navajo, Portrait of a Nation. The book received a number of photographic and design awards and was presented in an 18-month solo exhibit at the Smithsonian American History museum.
His assignments have taken him to every state across the USA and to over 50 countries around the globe. He has produced work for clients such as AT&T, Goldman Sachs, Hewlett Packard, Red Bull, Sony, Visa and Volvo. Aside from his commercial work, he teaches workshops and lectures across the country. He is also a contributor to Kelby Training,FramedShow.com and PhotoVision.




















