Michael B. Platt with Carol A. Beane
Transitions
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    Transition to a Digital World
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    On Assignment: Agenda vs Serendipity
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  • Nadine Boughton
    Adventures in Digital Collage
  • Julie Blackmon
    The Power of Now and Other Tales From Home
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    Ansel Adams Would Have Loved Photoshop
  • Connie Imboden
    Reflections
  • Todd Baxter
    Anatomy of Process in the Digital Age
  • Douglas Prince
    Evolving Vision: The Testimony of A Living Photo Fossil
  • Andrea Galluzzo
    Beyond The Photograph
  • Stanley Smith
    Art and Artifice: Constructing Photographs
  • Ted Grudowski, Mike Pucher, Christopher Schneberger
    Three Views on 3D
  • Jodi Cobb
    Inside Closed Worlds
  • Claudia Kunin
    Ghosts, Memories and Mirrors
  • Michael B. Platt with Carol A. Beane
    Transitions
  • Joel Grimes
    The Creative Revolution
  • Greg Downing and Eric Hanson
    Post-Digital: Expanding the Boundaries of Photography
  • Brooke Shaden
    Shocking Your Mind in the Digital Age
  • Jean-François Rauzier
    Hyperphotography
Michael B. Platt with Carol A. Beane
Transitions
Thursday, January 26th, 2012 6:30-8:00pm

For the last 15 years, Michael B. Platt's artwork has explored digital imagery and book art collaborations with his poet wife, Carol A. Beane. His images typically represent life's survivors and reference history, in particular, that of the African diaspora.

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His work is held in the permanent collections of many institutions such as the following: the Corcoran Museum, the Smithsonian American Art Museum, the Library of Congress, the New York Public Library's Schomburg Research Center in Black Culture, the Yale University Art Gallery, Brown University's John Hay Library, Howard University's Founders Library and the University of Maryland's David C. Driskell Center.

Platt is a graduate of Columbus College of Art and Design and Howard University. He teaches at Howard University and is represented by International Visions - The Gallery.

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