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Lauren MarsolierTransition to a Digital World
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Josef AstorOn Assignment: Agenda vs Serendipity
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Angela Bacon-Kidwell“Why am I here and where am I going?” An exploration of self-awareness,...
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Doug RickardA New American Picture
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Nadine BoughtonAdventures in Digital Collage
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Julie BlackmonThe Power of Now and Other Tales From Home
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Richard EhrlichAnsel Adams Would Have Loved Photoshop
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Connie ImbodenReflections
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Todd BaxterAnatomy of Process in the Digital Age
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Douglas PrinceEvolving Vision: The Testimony of A Living Photo Fossil
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Andrea GalluzzoBeyond The Photograph
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Stanley SmithArt and Artifice: Constructing Photographs
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Ted Grudowski, Mike Pucher, Christopher SchnebergerThree Views on 3D
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Jodi CobbInside Closed Worlds
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Claudia KuninGhosts, Memories and Mirrors
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Michael B. Platt with Carol A. BeaneTransitions
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Joel GrimesThe Creative Revolution
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Greg Downing and Eric HansonPost-Digital: Expanding the Boundaries of Photography
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Brooke ShadenShocking Your Mind in the Digital Age
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Jean-François RauzierHyperphotography

Prior to his photography career, Todd Baxter worked mostly in painting and collage, both of which continue to influence his current approach to fine art and commercial photography. Much of his work involves digital collage of elements from different photos into a single frame. Although some would say the artistry of Todd’s work is in his post-production use of Photoshop, he believes creative process relies as heavily on an intensive pre-production stage (one that involves pulling from fundamental artistic practices and traditions relevant to the subject matter).
For this discussion, Todd will show images from his body of work and his latest completed project “Owl Scouts: Lost in the Woods,” an award-winning narrative series. By exploring the journey to complete a controversial image in the series, Todd will discuss how his artistic process for making photographs, from pre-production to post-production, utilizes both the oldest and the most cutting-edge artistic techniques available.




















