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Lauren MarsolierTransition to a Digital World
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Josef AstorOn Assignment: Agenda vs Serendipity
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Angela Bacon-Kidwell“Why am I here and where am I going?” An exploration of self-awareness,...
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Doug RickardA New American Picture
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Nadine BoughtonAdventures in Digital Collage
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Julie BlackmonThe Power of Now and Other Tales From Home
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Richard EhrlichAnsel Adams Would Have Loved Photoshop
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Connie ImbodenReflections
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Todd BaxterAnatomy of Process in the Digital Age
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Douglas PrinceEvolving Vision: The Testimony of A Living Photo Fossil
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Andrea GalluzzoBeyond The Photograph
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Stanley SmithArt and Artifice: Constructing Photographs
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Ted Grudowski, Mike Pucher, Christopher SchnebergerThree Views on 3D
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Jodi CobbInside Closed Worlds
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Claudia KuninGhosts, Memories and Mirrors
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Michael B. Platt with Carol A. BeaneTransitions
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Joel GrimesThe Creative Revolution
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Greg Downing and Eric HansonPost-Digital: Expanding the Boundaries of Photography
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Brooke ShadenShocking Your Mind in the Digital Age
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Jean-François RauzierHyperphotography

After moving from Ohio to New York, photographer Josef Astor worked as an apprentice for Irving Penn, Deborah Turbeville and Angus McBean.
In 1985, he opened his studio in Carnegie Hall and launched his theatrically staged, historically informed photography. Astor is acclaimed for his portraits of individuals from the world of music, architecture, dance, theatre and art.
Astor’s photography has appeared in Vanity Fair, The New York Times, The New Yorker, Newsweek, GQ, Esquire and Rolling Stone to name a few. His advertising clients range from AT & T to Bergdorf Goodman, Absolut Vodka and Phillip Morris.
His work has been widely collected and exhibited, and included in shows at The International Center of Photography, Julie Saul Gallery, Howard Greenberg Gallery, and 'Vanity Fair Portraits' at the National Portrait Gallery in London. He received the Infinity Award from the International Center of Photography. Astor is currently on the faculty of the School of Visual Arts in New York. His directing debut was the documentary 'Lost Bohemia' which premiered in 2010 and won a Special Jury Prize at DOC-NYC Festival.
Most of Astor’s images in the exhibit were assignments and span a broad spectrum of solutions to often challenging parameters of a publication's needs. He will recount successes as well as failures in navigating the precarious conditions that surround an assignment; always with the goal of yielding an inspiring image that will satisfy the agenda of the client without stifling the serendipity of the moment.




















