Recent Developments: Douglas Kirkland

"Recent Developments" is a new regular feature on the blog that will keep you up to speed on what's going on with photographers who have exhibited or lectured at the Space in the past. It will be a place where you can find out where work by these photographers is currently being exhibited and what new adventures they have embarked upon since we last saw them. We hope you enjoy reading these updates about our friends as much as we enjoy passing them along!

The first photographer in our "Recent Developments" update is Douglas Kirkland, who was featured in the Space's very first exhibition, L8S ANG3LES, a show that that included such iconic photos of his as the one of Marilyn Monroe above.

He was also our very FIRST IRIS Nights guest lecturer!

The famed photographer is having his first major retrospective in Australia, titled "Douglas Kirkland: A Life in Pictures," right now! All of our Aussie readers should rush over to Brisbane's Gallery of Modern Art to check out.

Aside from Monroe, photos by Douglas of Audrey Hepburn, Elizabeth Taylor, Judy Garland, Stevie Wonder, Jack Nicholson, Andy Warhol, Gabrielle 'Coco' Chanel and many others are included in the collection. Also, in what sounds like an astonishing addition, is a large set of photos taken on the set of Michael Jackson's "Thriller" music video. The exhibit closes on October 24.

You can listen to an informative interview with Douglas conducted by the Australian Broadcasting Corporation about the exhibit here.

Here's Douglas at the opening of our Space standing between our fearless leader, Wallis Annenberg, and L8S ANG3LES photographer Greg Gorman, along with other exhibiting photographers like (clockwise) Carolyn Cole, guest curator Anne Wilkes Tucker, Julius Shulman, Kirk McKoy, our Foundation co-director Gregory Annenberg Weingarten and Tim Street-Porter.

Keep checking back on the blog for more "Recent Developments!"

Intoxicating Beauty

It was an incredible privilege to go to Andrew Southam's IRIS Nights lecture at the Annenberg Space for Photography. Southam, an Australian born beauty photographer, spoke with such genuine humility and introspection that it was hard not to fall in love him and his work.

He had such a sweet demeanor that when Southam admitted to a lifelong obsession with female beauty and being 'intoxicated by the fun of it all', the audience seemed to beam.

Throughout his talk Southam illustrated remarkable self-awareness describing himself as a "boy who spent his life, quite literally, on one knee in front of beauty."

He even opened up about sometimes feeling flustered in front of such direct sexuality.

But the core of his honesty was exposed when describing June Browne Newton and her husband Helmut Newton. Southam revered Helmut and became friends with June Newton after her husband's death. She continues to profoundly impact his life and his professional career to this day.

Southam also answered how and why questions regarding his famous techniques. "I am a student of lighting," confessed Southam when describing how he avoided using Photoshop or digital enhancing mechanisms.

"I always wanted to make my subjects look beautiful. I like people to look like they would on their best day," Southam explained when asked why he developed his unique style.

The sincerity of the lecture had the audience complimenting and thanking Southam for such a wonderful job. But, at the end of the day, he confessed that his main desire is to stay true to himself.

"You can only be who you are," said Southam in a statement to sum up the evening. And for both the aspiring photographers and non-photographers, it was probably his best piece of advice.

After the lecture Southam mingled with the crowd including his friends and peers, Joe Pugliese and Art Streiber.

For more information on Andrew Southam and his new photo series click here

Announcing The No Strangers IRIS Nights Lecture Lineup

Our first IRIS Nights lecture for no strangers takes place this upcoming Saturday, the same day that the exhibit opens. This sold-out debut lecture will feature the amazing Carol Beckwith & Angela Fisher.

We've just released the full list of presentation for this very popular series. Click here to see that list, which includes Chris Rainier, Bonnie Folkin, Caroline Bennett and Aaron Huey.

We expect the lecture series to conitune to be popular so  reserve your free spot as soon as tickets are released. You don't want to miss out on these great talks!

Lucy Nicholson makes it seem so fun!

Lucy Nicholson, December 17, 2009 © Unique for the Space
On Thursday the amazing Lucy Nicholson - senior staff photographer at Reuters - graced our Space with her lilting British accent, her light-hearted sense of humor and an incredible presentation.

Lucy Nicholson, December 17, 2009 © Unique for the Space
From a short film about how an organization the size of Reuters shoots a big event to her own riveting photos, Lucy gave us a lot of rich content from a unique perspective to consider.
Lucy Nicholson, December 17, 2009  © Unique for the Space
Seeing what goes into what we end up seeing online (around the world) was a real eye-opener. Once again we learned at the feet of a master (matrix?).

Lucy even gave a breakdown of the elements that go into Sport photography and discussed the importance of all the different factors...very helpful!

Lucy Nicholson, December 17, 2009 © Unique for the Space

She also let us see some of her non-sports portfolio. Lucy Nicholson, December 17, 2009 © Unique for the Space

Lucy was so down-to-earth and accessible...

Lucy Nicholson, December 17, 2009 © Unique for the Space

Long after the Q&A was over Lucy hung around talking with lecture guests, friends and fans...

Lucy Nicholson, December 17, 2009 © Unique for the Space

Thank you for rounding out an amazing year of lecture Lucy!
Happy Holidays everyone!

Camille Seaman brings timeless wisdom to the Space

"...the Earth is not just our mother - we are made of this..." Camille Seaman said as she loaded up her first slide.

"None of us were born in space or on another planet - so everything that went into creating us came from this planet. And this planet is made from pieces of exploding stars...all of the metals that form the core of our planet - the metals that we mine and adorn our bodies with come from exploding stars."

"...we are made of stars..."

This was only the start of Camille Seaman's lecture at The Space yesterday, as she took us along on her personal journey (tagged onto the end of the story of creation!) to becoming a National Geographic  award-winning photographer.


Admitting that she was, by both nature and heredity, a bit of a storyteller, she proceed to tell us the story of her travels and growth as a photographer.

Camille played a slideshow of her current portfolio. Her soft-spoken voice only enhanced the boldness of her storytelling and photographic work documenting the fragile environment of the North and South Pole regions.

Her images are as courageous as they are beautiful.

Camille's life and work is inspirational and the peace, scale and calmness of her photography is thrilling.


After viewing her portfolio on the huge digital screen (a size perfectly suited for a subject so enormous), and following her unfolding of her perspective from having visited the vast openness of the planet's poles multiple times,


you couldn't help but to leave the presentation last night loving the earth just a little bit more than you did before.

At the end of the night she raffled off some prints to raise funds and awareness about her next (and last) visit to the Arctic, weaving the guests into her personal story of documenting the fragile extremes of our planet.


Thank you Camille for spreading the earth love!

(All photos © Unique for the Space)

Renee Byer: A Photographer's Journey

Last night, Renee Byer took the stage at our IRIS Nights to discuss photos that ranged in topics from the economy to prostitution to serious illness. Renee had a refreshingly down-to-earth personality and a strong desire to enlighten as many people as possible about these subjects... subjects which she clearly feels very strongly about.

The first series of photos she presented focused on the difficulties faced by those affected by unemployment in California.

Included in this collection is a photo (above) of California Governor Arnold Schwazenegger, who found himself stuck in the middle of the state's job crisis. Renee has photographed him several times and found him to be someone who really wanted to make a difference in the state. She described how she loves this picture primarily due to the tension seen in his hands.

Renee shifted her talk to people in Ghana who, though they had jobs, were forced to work in a toxic environment at an e-waste recycling facility. She told us how she became fascinated with one girl there who suffered from malaria. The girl, no doubt sensing Renee's warmth and compassion, wanted to come back home with her.

One of the most heart-breaking moments of the night came when Renee discussed a series of photos devoted to a brothel in Bangladesh that employed young girls, many of whom had no other choice but to enter the oldest profession. Renee confessed that if she won the lottery tomorrow, she would return to the South Asian country and free all of them. After listening to her speak, there's no doubt in our minds that she would!

Renee explained that the visual presentation for her Pulitzer Prize-winning series "A Mother's Journey" typically runs an hour but she managed to squeeze in an abbreviated version for IRIS Nights. The edit didn't reduce the impact of the powerful images of a mother and her 11-year-old son as the two coped with his fight with terminal cancer.

Renee was obviously very moved by her year-long, intimate documentation of Cyndie and Derek. Cyndie told Renee that she can't imagine living without the above photograph that captured a very tender moment between her and her son.

She also showed a sweet picture where the two shared a rare smiling moment together which seemed to touch everyone in the audience.

During the Q & A, Renee was asked the requisite question about when she first sound herself interested in photography. Apparently, it all started when Renee, as child, shot "little teeny people" on the street from the top of the Statue of Liberty, with a brownie camera her parents had given her.

Through her wonderful photography, this warm, cheerful and talented woman now gets to tell stories about all kinds of people (not just the "teeny" ones) from around the world. Sounds to us like she's already won the lottery!

Click here to watch Renee's lecture online!

(All images by Unique for the Space)

Viewfinder

We have heard a lot of great chatter amongst our Annenberg Space for Photography attendees. After compiling some quotes, listening to what visitors thought about the Space and our lecturers, here is what they had to say:

The Andrew Southam lecture

"Loved it! It was so nice to listen to someone talk about art and communicate it so well... instead of just telling stories he got into how he did it and why." "I love the space. It is such a dream for photographers to not have to pay a lot to see such wonderful photos. I need to come and spend a couple hours here."
(Amy Cantrell, photographer, attending 2nd IRIS Nights lecture)


"It was really inspiring. I loved that he was so real about everything."
(Madison Enloe, aspiring photographer, attending her 2nd IRIS Nights lecture)

"[The Space] is an extraordinary gift to LA for both professional photographers and non-photographers. It allows them to interact. We are really gifted to have Annenberg here. Everything is really on the mark."
(Chad Slattery, regular attendee)


"I loved it! I am a non-photographer, unlike my husband. But that is the gift. There are a range of subjects and you don't have to be a photographer to love it - just a human being."
(Donna Lee Slattery, non-photographer, regular attendee)

The next time you're here tell Viewfinder what you think.

The Unpredictable World Of Celebrity Photography


© Tony Duran

By Tony Duran

What is so interesting about the world of celebrity photography is that it is so unpredictable and, quite frankly, out of the photographer's control.  My photographic style developed by shooting all kinds of celebrities in all kinds of situations.  My main partner in crime and collaborator who has given me,  without doubt, most of my tools of the trade, is Jennifer Lopez. Spontaneity, of the moment decision-making, and flexibility are the keys to capturing her larger than life persona.  Confidence in one's self as an artist has gotten me through many over the top moments and has brought me to what has ultimately led me to many memorable and iconic shots.

This shot was taken in 2002 for Jennifer’s album packaging shoot for her album, This Is Me…Then.  It was shot at the height of her romance with Ben Affleck and during all of the craziness that surrounded "Bennifer".  Jennifer's career was at a peak in all ways. I wanted the shoot to reflect what it was like to be Jennifer at that time.  My job for this two day shoot was to capture the fashion moments, the personal moments as well as the behind-the-scenes moments, all of which, were later to be included into the album packaging. I was also hired to shoot the behind-the-scenes of the making of  the “Jenny on the Block" music video..  Needless to say there was a lot to do in just a few days.  We were also shooting other magazine covers at the same time as the album shoot. It was all about managing time and being on point - very much like a sporting event.

The shot of Jennifer exiting the Bentley was an idea that Benny Medina, Jennifer's manager had at the end of the first day of the shoot.  It was shot after 10 pm and was all VERY last minute. What looks like a crowd of paparazzi are actually everyday people we recruited off of the street in New York City. We grabbed anyone we could and handed them our own equipment – all to the GREAT dismay of my first assistant, who already had a heart attack from setting up lights for an unknown shot in an entry of a hotel, in the middle of the night, in a matter of minutes.  Jennifer thought the shoot had wrapped and didn't even know the shot was going to happen.  

So at the last minute, we told her, throw on a fur coat and head down to the lobby.  She walked out the front door to see all these crazy people snapping shots and crawling on the prized Bentley.  I watched as the record label creative director practically have an aneurism! Without missing a beat, an already exhausted Jennifer simply walked to the car and immediately got into character.  And in usual form, I just shot as fast as I could capturing all of the timeless moments happening in front of me.  With Jennifer and I don't even have to speak. For the two of us, working together is like a quiet surgery in the midst of complete chaos- just a point of my finger or a look in my eye is enough to direct her into the shot.

Within minutes the shoot was over and as simply as she sauntered into the luxury car, she slid right out and walked directly to the street where her actual car was waiting to take her to the helicopter pad in Midtown so she could fly to Philadelphia to see Ben. I followed her all the way to the port with my camera with the only glitch being we had to stop the limo in order for me to get car sick because the whole time I was facing backward shooting.  All of this nuttiness to only return first thing in the morning to New York to continue the shoot.  We started our day with the front page of the New York Post showing us shooting in the carport of the hotel stating it was something completely different than it was. So typical in Jennifer's life, but kinda hysterical in the scheme of the shoot!

Tony Duran has shot for a plethora of magazines culminating in iconic photographic relationships with superstars Jennifer Lopez, Beyoncé, Tom Cruise and Brad Pitt to name just a very few. His Iris Nights lecture will take place on Thursday, July 11th, 2013 at 6:30pm.

He Shoots - He Scores! Leifer knocks it out of the park! (add in your sport metaphor)

Neil Leifer, Thursday, January 7 - © Unique for the Space
Neil Leifer kicked off 2010 with our first IRIS Nights lecture of the New Year and boy did he just raise the bar!

We had such an amazing turnout that we actually had to turn a few people away (we're SORRY!)... over 250 people filled our digital gallery AND our workshop area. Neil - always the prepared professional - was at the Space early to run through his slides and do an interview with KCAL (which they will be running on Super Bowl Sunday of course). He also took the time to chat in our Reading Room with one of our previous esteemed lecturers, David Hume Kennerly.

David Hume Kennerly and Neil Leifer at the Photography Space

Also in the house for Neil was recent lecturer Howard Schatz:
Howard Schatz at Neil Leifer's Lecture

Neil was so prepared he brought his own introduction, narrated by Alec Baldwin(!). He watched with great joy as Alec, Sly Stallone and numerous luminaries sang his praises before he even reached the podium. Neil Leifer waiting in the wings

Once he took 'the stage' we sat rapt, listening to the master regale us with tales of how a hard-scrabble hobbyist kid (yes that's him in the picture below!)

Neil Leifer at the Space for IRIS Nights Lecture

...became the youngest photographer to grab the cover of Sports Illustrated. Neil's a natural storyteller and a huge fan of his subjects...whether it's Muhammad Ali...

Leifer's images of Ali at the Space
...or it's Fidel Castro!

Leifer with Castro and Leifer

Neil peppered his lecture with threats to reveal the score of the Texas/Alabama BCS Championship game being played in Pasadena during the lecture, but he was loudly overruled by our guests who didn't want the surprise ruined.
Neil threatening to reveal the score

Whether you were a sports fan, a photography buff, a history nut or an A-List photographer, Neil offered a highly entertaining evening...looking quite at home talking from our podium.

Neil Leifer at the podium

Afterwards, Schatz and Kennerly hung out for a while, chatting...
Howard Schatz and David Hume Kennerly

...while Neil settled comfortably in for a long line of book-buying fans...for whom he signed everything...books, postcards, napkins.

Neil Leifer, signing post-lecture
He was so comfortable, in fact, and the audience was so appreciative, that we're going to have him come back on February 13 for a special Saturday IRIS Nights lecture -completely new, unlike his first program.

What can we say? We love having Neil here and we're glad the feeling is mutual!
Neil Leifer

Dennis Dimick comes full circle back to the Space


Dennis Dimick returned for a fourth visit to our Space - this time to gave a special inside-edition lecture about National Geographic 's current magazine issue, "Water" and other environmentally-focused previous issues.

Dimick was National Geographic  magazine's representative who first brought the concept of the special Water issue to our board last year as a potential exhibit and partnership between National Geographic  magazine and the Annenberg Space for Photography. He told us that his original presentation was based on a feature story from 1992 that he edited for the magazine about the coming freshwater crisis. Prescient!

He came for a second visit once the Water issue was coming together with actual images from around the world to show to us ... and of course he was here a third time for our opening in March. Now he returned to discuss National Geographic  magazine's leadership in combining photojournalism with environmental issues to study our planet's fragile state.

As the executive editor in the area of environmental issues, it is clear that Dennis' dedication to these issues has brought National Geographic  well-deserved praise.

Along with a catalogue of some amazing photographs, he brought a surprising tone of practicality to the endless debate of going green and going greener - or as Dennis puts it, moving from competition to collaboration and learning to do better with the resources you already have. His inspiration, he said, was rooted in his own upbringing on a farm...

...and his own personal journey shifted - as did the journeys of many of us attending - when he first encountered the famous image of the Earth from space on the cover of the Whole Earth Catalog.

Covering some dense perspectives of our current environmental challenges, i.e., responsible disposal of electronic waste or recyclables, Dennis began the lecture with some personal inspirations that have led to his part in the creation of National Geographic 's stories.

Our growing population,

and the attendant rise in CO2 output,

the frightening reminders of our shrinking glaciers,

and the resulting climate changes that have brought about new flooding,

as well as new droughts,

and draining reservoirs.

It wasn't what I would call a feel-good lecture but it was amazingly clear, level-headed and informative. This is a testament to the clarity with which Dennis approaches the global view of our climate changes and water crises.

Dennis was cool enough to hang out after the lecture to answer questions and view photographic work of lecturer goers, including some large prints in 3D by photographer Stuart Sperling.

Thank you for coming back Dennis...

...your presence is always welcome here!

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