For the Love of Helmut

By Tara Shannon

Working on location inspired Helmut Newton - and an inspired Helmut was a really playful Helmut.  This snap was taken during a really great shoot for French Vogue in the south of France where everything was flowing effortlessly and he was in a great mood. June was with him and their Hollywood friends were coming by to say hi.  Bob Rafelson brought Jessica Lang who had her newborn daughter with her.

We were in the garden having lunch and everyone was taking pictures of each other, laughing and stepping in on each other’s shots. I started shooting Helmut, pretending that I was him.

He yelled a lot when shooting, so I mimicked him: “Helmut! That’s it! Don’t Move!  Francois, POWDER! , Katia, HAIR! “  Everyone started joining in, telling him to arch his back or find his light. He was actually a really good model!  He liked being teased.  He just loved having fun. He wanted work to be fun. He wanted life to be fun.

I shot with a Pentax Auto 110 that I had bought in Japan. It was a complete ultra-miniature SLR system. fully automatic with no user-settable adjustments.

It was a perfect camera to travel with as a model. I could buy 110 film in any airport and every drugstore in the world could develop it in an hour. He was wild about it. June shot this pic of Helmut and I with that camera.  He called it The Dwarf appealing totally to how he worked- his equipment being as pared down as possible. He found amateur cameras more innovative than professional.  I think my Pentax appealed to him so much because Helmut really and truly  was a reportage photographer at heart. He was the Weegee of the fashion world- a visual shark. He was brilliant at capturing those lurking shadows so full of subtext and pathos that were blatantly hiding within the seemingly superficial.

His point of view was the rabbit hole. He left it up to the viewer to fall down it as deeply as they wanted to go.

Former model Tara Shannon was once referred to as "the woman of a thousand faces." Learn more about her on her official website.

Poetic Photography: Lecture With Paul Lange

IRIS Nights lecturer Paul Lange - pictured here in front of his stunning picture of Venus Williams - gave an impressive presentation on the art and technique of photography last night.

Some of the photos on the screen looked more like paintings or digitally constructed portraits then the straight film or digital photography which they truly are. But as Lange pointed out, that was his goal. He manipulated the photos during exposure in-camera by simply experimenting with chemical processing methods.

"A photo is not just a model posing. I want my photographs to be like paintings," said Lange. "I want them to be long living."

He even went into detail explaining how a photo could be double exposed, cross processed or dye transferred - terms that had all the non-photographers struggling to keep up.

"It's fun just playing with the rules. They work more often then they don't work so the key is to just try it," said Lange in reference to his experimental work.

Lange's diverse career led him to the world of fashion, photographing top models and celebrities from around the globe. He combined his fine art training with the fashion staples of good hair, makeup and perfect lighting to create his unique and polished style. Lange still creates all of his photographs in-camera and does not digitally alter them in post-production.

Lange explained that digital filters don't have the poetry that film does. "There is a translucent quality that you get by chance with film..." said Lange passionately, "otherwise it is too uniform."

Lange kept coming back to ideas of mystery, chance, passion and poetry relying on the imagery of a 'paint-like quality' to describe his photographic style.

His unique photographs were not the sole reason this night was different from our other lectures; last night was also the first time the Annenberg Space for Photography held two lectures by a photographer in one evening.

The night was so successful that we hope to do more double-header lectures in the future, giving our guests twice the opportunity to attend!

Thank you Paul Lange for giving two lovely presentations!

(All lecture photos by Unique for the Space)

'Who Shot Rock & Roll: The Film Goes To Tribeca

We're very excited and proud to announce that The Annenberg Space for Photography’s original exhibition documentary, WHO SHOT ROCK & ROLL: The Film, has been selected as an official entry in the 2013 Tribeca Film Festival. The short film will be in the category of "Shorts in Competition: Documentary." You may recall the film was part of last summer's record-breaking show, WHO SHOT ROCK & ROLL and features photographs, interviews and behind the scenes footage with acclaimed photographers Ed Colver, Henry Diltz, Jill Furmanovsky, Lynn Goldsmith, Bob Gruen, Norman Seeff, Mark Seliger and Guy Webster. as well as musicians Henry Rollins, Debbie Harry, Noel Gallagher and several others.

WHO SHOT ROCK & ROLL: THE FILM will screen for the public over several days at the Tribeca Film Festival.

For more information about tickets for press or the general public click here.

Public Screening Schedule    Date       Time     Venue
Premiere Screening 4/20/2013 12:00 PM         AV71
2nd Screening 4/23/2013 9:30 PM         CCC9
3rd Screening 4/26/2013 7:00 PM           CCC5
4th Screening 4/28/2013 5:00 PM           TC2
       
Press & Industry Screening Schedule    Date Time    Venue
Press Screening 4/23/2013 10:30 AM     CCC9

Screening Venues

Chelsea Clearview Cinemas (CCC5 & 9)
260 West 23rd Street
(between 7th and 8th Avenues)
New York, NY 10011

AMC Village 7 (AV7-1)

66 Third Avenue @ 11th Street
New York, NY 10003

Tribeca Cinemas (TC2)
54 Varick Street
(Below Canal Street, at Laight Street)
New York, NY 10013

Last year, our short film Beauty Culture screened at Tribeca.

Watch the trailer for WHO SHOT ROCK & ROLL: The FIlm here.

Watch Helmut Newton Shoot Eva Herzigova For 'Vogue'

Last month, we brought you a vintage House of Style video clip that featured a behind-the-scenes of a Helmut Newton photoshoot with Cindy Crawford. 

Here's another clip from that show (circa the early 1990s), which features model Eva Herzigová in a shoot for Vogue magazine. In the video, Newton dispenses some wisdom on his photography, such as the belief that some people tend to overanalyze his images.

"People...they a look at magazines like Vogue," he says, "and they analyze, kind of politically, socially, pictures that are just a fashion photograph."

Click "read more" to watch the video clip.

View Finder: Brian Bowen Smith Lecture

What did our IRIS Nights attendees think of Brian Bowen Smith? Here are some of their thoughts:

"He was so personable and such a good speaker. I was amazed by him!"
--Jesse Ruoff, regular IRIS Nights attendee, apparel designer

"To see all these pictures in an exhibit is pretty amazing. It is just beautiful the way it is laid out. I will definitely come again."
-- Ariana Trinneer, guest of lecturer Brian Bowen Smith

"The Space is terrific the way it shows photography. You get enough to make it significant but you don't get too overwhelmed"
--Marshall Feldman, first time visitor

"I love this place. I can benefit a lot from it because it really contributes to me as a professional but also as a person. I think so highly of the Annenberg Space for Photography. There is no other museum like it!"
-- Nini Valentina, regular Photo Space visitor, professional make-up artist

"I think the space is state-of-the-art! [Wallis Annenberg] went all out. Her generosity of spirit is so profound. It's such an invitation to the public.... Bottom line is that I am really impressed."
-- Dawn Moreno-Freedman, first time visitor

(All lecture images by Unique for the Space)

For more about Brian visit his website

Photos From The War/Photography Opening Gala

Last night was the opening party for our 11th exhibit, WAR/PHOTOGRAPHY. The show opens to the public on Saturday, March 23, 2013.

As you might expect, The show is very powerful and quite moving. It is a difficult yet very important subject matter.

It was also a great opportunity to see photographers whose images are featured in the exhibit get together with photographers from our past shows. Seen here are Barbara Davidson (2010 Pictures of the Year), Kirk McKoy (Los Angeles) and Nick Ut (WAR/PHOTOGRAPHY).

Two Pulitzer Prize winners whose work is in WAR/PHOTOGRAPHY: David Hume Kennerly and Nick Ut.

Here is Beauty Culture featured photographer Lauren Greenfield with (and another Pulitzer Prize winner!) Barbara Davidson.

 Also in the crowd was actor and SHFT co-founder Adrian Grenier.

Around halfway through the event, attendees gathered in the Digital Gallery of the Space to view the original short documentary film. At the conlusion of the film, there were more than a few guests who were moved to tears.

Here's a shot of some of the photographers whose work is in WAR/PHOTOGRAPHY: (From left to right) Carolyn Cole, Ashley Gilbertson, Nick Ut, Luis Sinco, Hayne Palmour IV and Edouard H.R. Glück.

The show opens to the public tomorrow, March 23 and runs through June 2, 2013.

Photos by Unique Nicole for the Space

Brian Bowen Smith: Beauty Is What You Make It

Not even a broken leg could stop photographer Brain Bowen Smith from giving a rousing lecture at IRIS Nights last night.

Brian did not intend to define beauty last night but instead explained that he believes that the topic is truly subjective.

He described how the combination of luck, guts and fate landed him his first job with famed photographer Herb Ritts, who would later become his mentor. According to Brian, Ritts taught him how to adeptly manipulate natural light and use photography to translate a model's true self.

But his most significant contribution was the idea of simplicity. "Beauty is simplicity and everything revolves around beauty," said Brian. "So I want to keep it simple."

Brian revealed that Ritts's style has been a source of inspiration throughout his professional career. Here's a photo that has a hint of Ritts but is truly all Brian Bowen Smith.

Brian reiterated his belief in simplicity. "Don't make a big deal about it," offered Brian. "Have fun. Keep it simple."

His exuberant and animated personality had the audience engaged and laughing the entire night.

As one audience member put it, "he was so personable and such a good speaker. I was amazed by him!"

Thanks for a terrific lecture, Brian. Here's to a quick recovery!

For more information about Brian, visit his website.

(All lecture images by Unique for the Space)

Louie Palu: Behind The Photograph

© Louie Palu; U.S. Marine Gysgt. Carlos “OJ” Orjuela, age 31, Garmsir District, Helmand Province, Afghanistan, from Project: Home Front (2008)

By Louie Palu

Louie Palu, Kandahar, Afghanistan in 2010

In the summer of 2008, I spent several months covering frontline fighting around the volatile districts west of the city of Kandahar in Afghanistan. By August I was preparing to move from an area under Canadian Army command in Kandahar to one in neighbouring Helmand Province where the United States Marines had been fighting. When I arrived at the Marine’s headquarters the public affairs officer asked me what I wanted to do. I asked her to send me to the combat outpost located in the worst area with the most austere conditions. I was told to meet a Marine at a tent on the flight path at Kandahar Airfield around midnight and they would take me on a C-130 military aircraft, then a helicopter followed by a heavily armed convoy (a journey totaling several days) and finally arriving in Garmsir District at Forward Operating Base (FOB) Apache North. As expected from my 2+ years covering the war, it was 120 degrees Farenheit everyday, 4-6 patrols per day, no running water or toilet and sand fleas biting me all night.

At 31, U.S. Marine Gunnery Sergeant Carlos Orjuela was one of the oldest Marine’s in the unit at the FOB. Most of the Marines in the unit were just 21-years-old. The conditions were so rough there that for me what said the most about this place was the faces of these young men. Everyday I spent several hours talking to each Marine and getting to know them, sometimes it took several days to build a connection. When we returned to the FOB at the end of each patrol I took a Marine into an empty bunker where there was natural light and took some portraits of them for about 5-10 minutes. Carlos was the very first Marine I photographed for this body of work.

WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath will show at the Annenberg Space for Photography through June 2, 2013. Learn more about Louie Palu on his official website.

Photo Link Round Up

Check out what is happening in the photography world this week!

1. In honor of Kodak's ten year anniversary of its first digital zoom camera,

DC Views has compared elements of photography from when it was a 'digital science' to the 'easy sharing' aspect of today.

2. In a timely web 'service' offering Military personnel are remembering their time in service with photo books offered specially by the Military Yearbook Printing Company....but sometimes uploading pictures to a website can be extremely complicated.

3. Hollywood photographer David Strick is suing the Los Angeles Times for illegally publishing 174 of his photos.

The law suit could potentially cost $150,000 for each infringement, and there are 510 alleged violations!

4. When David Strick seemed to deliver too many photos, wedding photographer Gerald Randolph Byrd didn't deliver enough.

In fact Byrd refused to hand over the photos and is now serving two years of house arrest for fraudulent intent. The original sentence was eight years in prison.

5. But on a lighter note National Geographic has announced the "Best Travel Pictures of 2011" and they are incredible.
Photograph by Robin Moore

Click here to check them out.

Photograph by Becky Kagan Schott

We hope you have fun surfing the web for more photography updates!

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