'Who Shot Rock & Roll: The Film Goes To Tribeca

We're very excited and proud to announce that The Annenberg Space for Photography’s original exhibition documentary, WHO SHOT ROCK & ROLL: The Film, has been selected as an official entry in the 2013 Tribeca Film Festival. The short film will be in the category of "Shorts in Competition: Documentary." You may recall the film was part of last summer's record-breaking show, WHO SHOT ROCK & ROLL and features photographs, interviews and behind the scenes footage with acclaimed photographers Ed Colver, Henry Diltz, Jill Furmanovsky, Lynn Goldsmith, Bob Gruen, Norman Seeff, Mark Seliger and Guy Webster. as well as musicians Henry Rollins, Debbie Harry, Noel Gallagher and several others.

WHO SHOT ROCK & ROLL: THE FILM will screen for the public over several days at the Tribeca Film Festival.

For more information about tickets for press or the general public click here.

Public Screening Schedule    Date       Time     Venue
Premiere Screening 4/20/2013 12:00 PM         AV71
2nd Screening 4/23/2013 9:30 PM         CCC9
3rd Screening 4/26/2013 7:00 PM           CCC5
4th Screening 4/28/2013 5:00 PM           TC2
       
Press & Industry Screening Schedule    Date Time    Venue
Press Screening 4/23/2013 10:30 AM     CCC9

Screening Venues

Chelsea Clearview Cinemas (CCC5 & 9)
260 West 23rd Street
(between 7th and 8th Avenues)
New York, NY 10011

AMC Village 7 (AV7-1)

66 Third Avenue @ 11th Street
New York, NY 10003

Tribeca Cinemas (TC2)
54 Varick Street
(Below Canal Street, at Laight Street)
New York, NY 10013

Last year, our short film Beauty Culture screened at Tribeca.

Watch the trailer for WHO SHOT ROCK & ROLL: The FIlm here.

Watch Helmut Newton Shoot Eva Herzigova For 'Vogue'

Last month, we brought you a vintage House of Style video clip that featured a behind-the-scenes of a Helmut Newton photoshoot with Cindy Crawford. 

Here's another clip from that show (circa the early 1990s), which features model Eva Herzigová in a shoot for Vogue magazine. In the video, Newton dispenses some wisdom on his photography, such as the belief that some people tend to overanalyze his images.

"People...they a look at magazines like Vogue," he says, "and they analyze, kind of politically, socially, pictures that are just a fashion photograph."

Click "read more" to watch the video clip.

View Finder: Brian Bowen Smith Lecture

What did our IRIS Nights attendees think of Brian Bowen Smith? Here are some of their thoughts:

"He was so personable and such a good speaker. I was amazed by him!"
--Jesse Ruoff, regular IRIS Nights attendee, apparel designer

"To see all these pictures in an exhibit is pretty amazing. It is just beautiful the way it is laid out. I will definitely come again."
-- Ariana Trinneer, guest of lecturer Brian Bowen Smith

"The Space is terrific the way it shows photography. You get enough to make it significant but you don't get too overwhelmed"
--Marshall Feldman, first time visitor

"I love this place. I can benefit a lot from it because it really contributes to me as a professional but also as a person. I think so highly of the Annenberg Space for Photography. There is no other museum like it!"
-- Nini Valentina, regular Photo Space visitor, professional make-up artist

"I think the space is state-of-the-art! [Wallis Annenberg] went all out. Her generosity of spirit is so profound. It's such an invitation to the public.... Bottom line is that I am really impressed."
-- Dawn Moreno-Freedman, first time visitor

(All lecture images by Unique for the Space)

For more about Brian visit his website

Photos From The War/Photography Opening Gala

Last night was the opening party for our 11th exhibit, WAR/PHOTOGRAPHY. The show opens to the public on Saturday, March 23, 2013.

As you might expect, The show is very powerful and quite moving. It is a difficult yet very important subject matter.

It was also a great opportunity to see photographers whose images are featured in the exhibit get together with photographers from our past shows. Seen here are Barbara Davidson (2010 Pictures of the Year), Kirk McKoy (Los Angeles) and Nick Ut (WAR/PHOTOGRAPHY).

Two Pulitzer Prize winners whose work is in WAR/PHOTOGRAPHY: David Hume Kennerly and Nick Ut.

Here is Beauty Culture featured photographer Lauren Greenfield with (and another Pulitzer Prize winner!) Barbara Davidson.

 Also in the crowd was actor and SHFT co-founder Adrian Grenier.

Around halfway through the event, attendees gathered in the Digital Gallery of the Space to view the original short documentary film. At the conlusion of the film, there were more than a few guests who were moved to tears.

Here's a shot of some of the photographers whose work is in WAR/PHOTOGRAPHY: (From left to right) Carolyn Cole, Ashley Gilbertson, Nick Ut, Luis Sinco, Hayne Palmour IV and Edouard H.R. Glück.

The show opens to the public tomorrow, March 23 and runs through June 2, 2013.

Photos by Unique Nicole for the Space

Brian Bowen Smith: Beauty Is What You Make It

Not even a broken leg could stop photographer Brain Bowen Smith from giving a rousing lecture at IRIS Nights last night.

Brian did not intend to define beauty last night but instead explained that he believes that the topic is truly subjective.

He described how the combination of luck, guts and fate landed him his first job with famed photographer Herb Ritts, who would later become his mentor. According to Brian, Ritts taught him how to adeptly manipulate natural light and use photography to translate a model's true self.

But his most significant contribution was the idea of simplicity. "Beauty is simplicity and everything revolves around beauty," said Brian. "So I want to keep it simple."

Brian revealed that Ritts's style has been a source of inspiration throughout his professional career. Here's a photo that has a hint of Ritts but is truly all Brian Bowen Smith.

Brian reiterated his belief in simplicity. "Don't make a big deal about it," offered Brian. "Have fun. Keep it simple."

His exuberant and animated personality had the audience engaged and laughing the entire night.

As one audience member put it, "he was so personable and such a good speaker. I was amazed by him!"

Thanks for a terrific lecture, Brian. Here's to a quick recovery!

For more information about Brian, visit his website.

(All lecture images by Unique for the Space)

Louie Palu: Behind The Photograph

© Louie Palu; U.S. Marine Gysgt. Carlos “OJ” Orjuela, age 31, Garmsir District, Helmand Province, Afghanistan, from Project: Home Front (2008)

By Louie Palu

Louie Palu, Kandahar, Afghanistan in 2010

In the summer of 2008, I spent several months covering frontline fighting around the volatile districts west of the city of Kandahar in Afghanistan. By August I was preparing to move from an area under Canadian Army command in Kandahar to one in neighbouring Helmand Province where the United States Marines had been fighting. When I arrived at the Marine’s headquarters the public affairs officer asked me what I wanted to do. I asked her to send me to the combat outpost located in the worst area with the most austere conditions. I was told to meet a Marine at a tent on the flight path at Kandahar Airfield around midnight and they would take me on a C-130 military aircraft, then a helicopter followed by a heavily armed convoy (a journey totaling several days) and finally arriving in Garmsir District at Forward Operating Base (FOB) Apache North. As expected from my 2+ years covering the war, it was 120 degrees Farenheit everyday, 4-6 patrols per day, no running water or toilet and sand fleas biting me all night.

At 31, U.S. Marine Gunnery Sergeant Carlos Orjuela was one of the oldest Marine’s in the unit at the FOB. Most of the Marines in the unit were just 21-years-old. The conditions were so rough there that for me what said the most about this place was the faces of these young men. Everyday I spent several hours talking to each Marine and getting to know them, sometimes it took several days to build a connection. When we returned to the FOB at the end of each patrol I took a Marine into an empty bunker where there was natural light and took some portraits of them for about 5-10 minutes. Carlos was the very first Marine I photographed for this body of work.

WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath will show at the Annenberg Space for Photography through June 2, 2013. Learn more about Louie Palu on his official website.

Photo Link Round Up

Check out what is happening in the photography world this week!

1. In honor of Kodak's ten year anniversary of its first digital zoom camera,

DC Views has compared elements of photography from when it was a 'digital science' to the 'easy sharing' aspect of today.

2. In a timely web 'service' offering Military personnel are remembering their time in service with photo books offered specially by the Military Yearbook Printing Company....but sometimes uploading pictures to a website can be extremely complicated.

3. Hollywood photographer David Strick is suing the Los Angeles Times for illegally publishing 174 of his photos.

The law suit could potentially cost $150,000 for each infringement, and there are 510 alleged violations!

4. When David Strick seemed to deliver too many photos, wedding photographer Gerald Randolph Byrd didn't deliver enough.

In fact Byrd refused to hand over the photos and is now serving two years of house arrest for fraudulent intent. The original sentence was eight years in prison.

5. But on a lighter note National Geographic has announced the "Best Travel Pictures of 2011" and they are incredible.
Photograph by Robin Moore

Click here to check them out.

Photograph by Becky Kagan Schott

We hope you have fun surfing the web for more photography updates!

Lauren Greenfield Comes Full Circle With BEAUTY CULTURE

While BEAUTY CULTURE continues to break attendance records here at the Annenberg Space for Photography, we thought now would be a good time as any to publish a post on one of featured photographers, Lauren Greenfield and the documentary film, also titled BEAUTY CULTURE, that accompanies the show. The 30-minute film was directed by the award-winning photographer herself.

Produced by her husband and producing partner, Frank Evers, Greenfield filmed the documentary over the course of several months in Los Angeles, New York and Paris. Her intent was to create a film that focused on the sociological and psychological perceptions of beauty from a cross-cultural viewpoint.

Regarding her work on BEAUTY CULTURE Greenfield says, "A lot of the things I photograph are interconnected: from the young girls and the kind of precocious sexualization of young girls, to the vanity of teenagers and the kind of struggle to establish your identity as a teenager, to women and older women facing the challenge of getting older in a youth-obsessed culture. So this project, BEAUTY CULTURE, allowed me to kind of bring the work full circle and look at all aspects."

The film has been met with resounding praise from many guests here at the photography space citing Los Angeles--with its Hollywood machine and incessant promotion of the billion-dollar cosmetics industry--as an ideal location for a film addressing warped ideals of beauty.

BEAUTY CULTURE is certainly not Greenfield's first foray into filmmaking. Her documentary Thin premiered on HBO in 2006, also screening at the Sundance Film Festival. A film dealing with eating disorders of young women, Thin went on to earn Greenfield an Emmy nomination for Best Director of Non-Fiction Programming. Her follow-up doc kids + money, also broadcast on HBO, won the Audience Award for Best Short Film at the AFI Film Festival among other honors.

The film, which features interviews with Jamie Lee Curtis, Tyen, Crystal Renn and many others, screens throughout the day at the Space. Make sure you come see it before the exhibit closes next month.

As for Greenfield, she will return to the Space as our IRIS Nights lecturer on Thursday, October 13, in what is sure to be a standing-room only event!

Ron Haviv's Photos Documented The Yugoslav Wars

© Ron Haviv/VII

By Ron Haviv

In 1991, I covered the beginning of the end of Yugoslavia. By 1992 with new fighting brewing in Bosnia between everyday citizens both Muslim and Serb: I arrived in the town of Bijeljina where the restaurant owner was fighting the candlestick maker and so on and so on. After a few days of fighting the feared Serbian paramilitary leader known as Arkan arrived with his unit, the Tigers. He told me he had arrived to liberate the town from Muslim fundamentalists. I had taken a portrait of him that he liked during the previous war, so he allowed me to accompany one of his paramilitary units as they fought through the town.

After a few hours we arrived at a mosque. The Serb militia quickly tore down the Islamic flag and replaced it with a Serbian one. They then took one man prisoner almost immediately. I heard some shouting when I was inside and went out to the front of the mosque.

Across the street an unarmed middle-aged couple were standing against the wall. The woman began screaming and some shots rang out. Her husband fell to the ground. The soldiers were yelling at me not to photograph anything. It was chaotic, dangerous and obvious there was nothing I could do to change things. I had been in a similar situation before, and at that time had promised myself that if I wasn't able to stop an execution, I needed to make sure there was a photograph to document what was happening. I slowly backed away from the soldiers and tried to blend into the background near a crashed truck on the other side of the street. I was able to photograph several frames as the wife tried to help her husband, who lay dying. As I moved back towards the soldiers, more shots rang out and the woman fell to the ground too. Moments later, another woman was brought out and she too was shot.

Things quieted down for a bit until another prisoner was brought to the soldiers. A young boy in his teens: he was confused and terrified. He managed to break away from the soldiers and to the back of the mosque to escape but was unable to jump over the wall. He had no choice but to return and when he did they shot him. I knew I needed an image with the paramilitaries and the victims in the same frame. That way, there would be no doubt of what had happened.

The soldiers decided to bring the remaining prisoner back to their temporary headquarters. As most of them left, I stood in the middle of street, framed the shot and as I did one of the soldiers came from my left, cigarette in hand; sunglasses on his head and moved towards the Bosnians as they lay dying on the sidewalk

After we had arrived at the headquarters, I needed Arkan’s permission to leave. I waited along with a Serbian colleague who had been with another unit. I heard a great crash and looked up to see the first prisoner of that day coming out of a second story window. He crashed at my feet. Miraculously he survived the fall but was quickly beaten by the soldiers, doused with water and brought back into the house.

Arkan arrived and immediately asked for my film. I had managed to hide some of the film and than proceeded to argue with him for the rest. He said he would process the film and give me back what he liked. I said the labs were terrible and I would process the film and let him edit. In the end, I lost the argument but managed to keep my film.

The images were published all over the world but to little reaction. The war began officially the following week, killing thousands and creating millions of refugees. In the end I spent more than five years on the ground during the ten years of wars that dissolved the country known as Yugoslavia.

WAR/PHOTOGRAPHY: Images of Armed Conflict and Its Aftermath will show at the Annenberg Space for Photography through June 2, 2013. Learn more about Ron Haviv and his work on his official website.

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