Beauty Pageant Culture
March 8th, 2012
You'll find an array of photos of beauty pageant contestants in BEAUTY CULTURE. From Miss Senior California, the one and only Pink Lady (you might recognize her Botox-injected lips from our exhibit banners throughout L.A.) to Susan Anderson's toothy-smiled, Beauty, age 4, which greets visitors in the Space's entrance hallway - we see these women prepping for the show and competing as well.
But what happens after the contest?
In celebration of the Miss USA pageant's 60th anniversary, Time Magazine recently asked Anderson (who lectured at the Space and signed copies of her book, High Glitz, on June 16) to shoot portraits of 31 of its past winners. These queens still have some set ideas about pageant culture.
Miriam (Stevenson) Breckenridge (Miss USA, 1954) now 78, told Time: "...you don't want to be thought of just as the beauty queen. People only remember me for being Miss USA and Miss Universe even all these years later."
Meanwhile, 75-year-old Myrna Hanson (Miss USA, 1953) weighed in on artificial beauty: "At that time, you didn't dare put any pads in your bathing suit, but now I look around and see silicone everywhere. I don't think young people need silicone any place, any time anywhere. It's what you do with what you've got that counts."
To see all of Andersen's portraits in the Time piece, click here.
If you haven't yet seen BEAUTY CULTURE, come see it now before it goes away in November!



Introducing Nimoy at the lecture was New York Times Lens Blog writer James Estrin. The two are seen here chatting in the green room beforehand. Looks like they've become fast friends!
Nimoy started the lecture by recounting a story about a time he was walking in Los Angeles with Tom Hanks. The two encountered a man who wanted to have his photo taken with Hanks. When Hanks asked who would take the picture, the man turned to Nimoy and said "Oh, Mr. Nimoy, you're a wonderful photographer. Can you take the picture?"
Nimoy, who maintained such an enviable sense of humor throughout the lecture, joked that it was that story that gave him "street credibility" as a photographer. We think he had street cred long before then!
Nimoy spoke at length about his photography, including one of his most well-known works, "The Full Body Project." He explains how he became involved with the women in the above photo, all members of the Fat Bottom Revue burlesque group.
Nimoy revealed that he does not do photojournalism. He prefers shooting projects in a controlled environment.
Nimoy's "Secret Selves" was the first time he ever used color in his photography. "Secret Selves" focused on people bringing out their secret, hidden or fantasy selves to Nimoy and his camera.
Nimoy is a very prolific photographer. Apparently there are thousands of photos that he's taken which have yet to see the light of day. Personally, we can't wait to see more!
Nimoy stuck around after his talk to sign copies of his books The Full Body Project for fans. Were you one of the lucky few to get him to sign a copy of the book?
Nimoy's wife was in attendance last night. Here she is, on the left, posing with him in front of one of the first images visitors come across in the BEAUTY CULTURE exhibit, his most well-known photo from "The Full Body Project."
After expressing his gratitude to the packed room for attending his lecture, he signed off with this very familiar quote: "live long and prosper!" Thanks for such a thoughtful, entertaining and enlightening lecture last night, Leonard! You can watch the lecture on our site by clicking 
While BEAUTY CULTURE continues to break attendance records here at the Annenberg Space for Photography, we thought now would be a good time as any to publish a post on one of featured photographers, Lauren Greenfield and the documentary film, also titled BEAUTY CULTURE, that accompanies the show. The 30-minute film was directed by the award-winning photographer herself.


That night Mark Laita spoke about his new photobook, Created Equal, a collection of black and white photo diptychs contrasting the portraits of everyday Americans by putting, for example, a picture of Baptist minister next to members of the Ku Klux Klan or nuns next to prostitutes. The inspiration for the project is incredible: Laita left behind his polished life in the advertising world to find the real America he grew up with, the one he wanted to make sure the world would never forget.













If you're one of the nearly 50,000 patrons who has visited Beauty Culture since its May opening, we're betting there's a good chance you've departed the Space electrified by filmmaker and featured photographer Lauren Greenfield's documentary of the same name. We were thrilled to learn more about Greenfield's career during her recent IRIS Nights lecture at the Photography Space, as well as the inspirations behind her photographic and filmed accomplishments.








