Lauren Greenfield Returns To IRIS Nights

If you're one of the nearly 50,000 patrons who has visited Beauty Culture since its May opening, we're betting there's a good chance you've departed the Space electrified by filmmaker and featured photographer Lauren Greenfield's documentary of the same name. We were thrilled to learn more about Greenfield's career during her recent IRIS Nights lecture at the Photography Space, as well as the inspirations behind her photographic and filmed accomplishments.

Greenfield was all smiles as she and her husband (and documentary producer) Frank Evers, arrived at the Space. This was Greenfield's second IRIS Nights lecture. She was also part of the L8S ANG3LES lineup!

Just before showtime, IRIS Nights attendees wrapped themselves all the way through the exhibit hall anticipating the opening of our gallery seating for Greenfield's lecture.

One of Greenfield's first images in her retrospective was of Las Vegas showgirl Anne-Margaret. A note taped to the entertainer's mirror reads "I approve of myself." This is one of many Greenfield images involving women that address issues dealing with self-esteem and self-acceptance.

Greenfield also spoke about an image taken at a beauty pageant for southern belles. The photo captures the contestants in traditional gowns and poses, but juxtaposing these traditions--the girls also flash garter belts on all of their legs.

Greenfield talked the above image in which a young model walked down the street, while being ogled by three passing men - one of them a hard-hat wearing construction worker. While the audience laughed at Greenfield's retelling of the story behind the picture, she joked that we may be responding with the laughter, but the men's wives probably had a far less humorous response!

Greenfield's work obviously inspires much discussion with audience members and she was happy to address a number of questions from lecture attendees regarding the psychological and sociological issues behind her images.

Guest perused copies of Greenfield's best-selling and award-winning books including Girl Culture, Fast Forward and Thin before meeting her for a book-signing in our photography library.

Visitors had an incredible opportunity to chat one-on-one with Greenfield during the book signing.

Meanwhile, Evers engages guests in conversation while waiting in the book-signing queue.

Greenfield happily greeted fans as several photographers maneuver through the crowd to capture the best angle. Despite the often intense and emotional images that she captures, Greenfield and her fans had a delightful evening and we certainly did too! Thank you so much, Lauren!

You can watch the lecture on our site by clicking here.

(All lecture images by Unique for the Space)

IRIS Nights Sneak Peek: Alex Kuczynski

As we enter our final weeks of BEAUTY CULTURE here at the Annenberg Space for Photography, one of the most frequently asked questions from visitors who watch our feature documentary continues to be "Who is that woman in the pearls and blue dress?" The woman whose statements have left such a lasting impression on visitors is our November 17th IRIS Night lecturer, journalist and author, Alex Kuczynski.

Since Kuczynski will grace us with her presence, along with photographer (and previous IRIS Night lecturer) Susan Anderson, during our final IRIS Night lecturers during the run of BEAUTY CULTURE, it's a great time to learn more about "the woman in the pearls."

The ambition that would ultimately lead to Kuczynski's success as an award-winning author and reporter appears to run in the family. Her father, Pedro, was a candidate in last year's Presidential election in Peru. John Casey, The National Book Award Winner and novelist, is her maternal uncle. Kuczynski, however, isn't interested in resting on family laurels. Carving out a name for herself as a reporter for The New York Times, she took it one step further and authored an uninhibited, behind-the-scenes examination of the cosmetic surgery industry in her book, Beauty Junkies.

Beauty Junkies is a revealing view at what is now a demographic-defying $15 billion fixation on youth and physical vitality. In a recent article for Harper's Bazaar, Kuczynski sums up the obsession saying, "The pressure to stay young, and to remain young looking, is at a fever pitch in America. Those seeking the holy grail of youth are driving up the number of cosmetic procedures—with Americans getting more than 13 million of them every year—in their quest for a smooth forehead and taut cheekbones."

In her book and featured role in the BEAUTY CULTURE documentary, Kuczynski readily admits to experimenting with a few cosmetic procedures in her 20s and 30s, but ultimately realized that "Living out west [in Idaho] has made me release all the ideas I used to have about success, including the quest for that perfect age-defying forehead. In fact, I've discovered that the more I give up, the greater the reward. I stopped trying to think I could do it all—and in part, I was forced to....you can't worry about your hair or your skin because the one practicing dermatologist in our town doesn't even do Botox."

We hope you'll be joining us for our final IRIS Night lecture with "the woman in the pearls" Alex Kuczynski and High Glitz photographer, Susan Anderson on November 17th for what is certain to be an entertaining and very enlightening conversation. If not, you'll still have a few days to visit BEAUTY CULTURE one more time before its closing day on Sunday, November 27th. We hope to see you soon here at the Space!

'BEAUTY CULTURE' To Be Part of Tribeca Film Festival

We're very excited to announce that the original 30-minute film by the Annenberg Space for Photography which ran during the BEAUTY CULTURE exhibition will be part of the Tribeca Film Festival next month! The 30-minute short film is part of the festival's documentary program named Triptych which focuses on art, music and physical beauty.

The documentary, directed by Lauren Greenfield, was shown last year in the venue's sweeping, unprecedented photographic exploration of how feminine beauty is defined, challenged and revered in modern society. The documentary presents interviews with selected photographers and subjects included in the exhibition.

Watch a trailer for BEAUTY CULTURE here.

'BEAUTY CULTURE' To Be Part of DocuWeeks Showcase

We're happy to announce that the Annenberg Space for Photography's film BEAUTY CULTURE has been selected by the International Documentary Association (IDA) as an entry in the 16th Annual IDA DocuWeek Theatrical Documentary Showcase which runs in Los Angeles August 10-30, 2012.

The 30-minute documentary is directed by filmmaker and photographer Lauren Greenfield. BEAUTY CULTURE explores feminine beauty in contemporary culture through photography and the implication for female body image. It examines our obsession with beauty-- its biological origins and how photographs shape our definitions of it. Elite fashion photographers, models and artists join pageant stars, bodybuilders, teenagers, and intellectuals in a provocative dialogue that addresses the persistent “beauty contest” that is daily life

Screenings of the film will take place in Los Angeles from August 10th through the 16th at the Laemmle NoHo 7 in North Hollywood. A Q&A session with Greenfield will follow those screenings on August 10 & 11.

The documentary will be screened on these seven dates as part of the festival's LA Shorts Program:

                    FRI 8/10        4:25 PM followed by Q&A with the film's director
                    SAT 8/11       6:00 PM followed by Q&A with the film's director
                    SUN 8/12      6:10 PM
                    MON 8/13     4:25 PM
                    TUE 8/14      6:00 PM
                    WED 8/15     6:10 PM
                    THU 8/16      4:25 PM

General public admission to screenings are available at the Laemmle for $11.00, $8.00 for IDA members and $8.00 for seniors and children. Please see the DocuWeeks site for details about showtimes and admission fees.

Watch a trailer for Beauty CULTURE here.

Susan Anderson's Illusion of Womanhood

Susan Anderson, an internationally known photographer and expert on the High Glitz culture of child pageantry, recently gave us her take on the industry at our Iris Nights Lecture.

Although she abstained from giving any formal opinion on the controversial subject of beauty contests, she did claim that this is not a new issue we are dealing with. Anderson put on the screen a classical painting of Aphrodite and the golden apple and posed the question, "could this have been the first beauty pageant?"

Her question was meant to explain that society has always idealized women and we have always been fascinated with the fairy tale ending.  The fake eyelashes, the artificial tans, the thousand dollar hair dos, and the sparkly dresses all play into a preexisting culture that we are all partially responsible for creating.

Anderson admits that the most popular responses to her work are either to moralize or to laugh.  But she offers a different response: to just present.  She suggests that the little girls collaborate with her, that they have fun with it and it is their way to act, play a role and take a reality and make it their own.

She offers and interesting perspective because from where she stands it is simply art, it is fascinating and it is visually stunning.

To see more of Susan Anderson's work click here

Make Me Beautiful


Matthew Rolston, an icon in fashion photography, came to entertain us at the IRIS Nights lecture yesterday. He also brought his long time friend, journalist Merle Ginsberg. Her questions and insight into Matthew's work helped reveal exciting information about his unique body of work.

Rolston confessed that he didn't see himself as simply a photographer or director but rather an 'idea' person, wanting to extend his talents into all areas of the creative world.

Rolston also explained his process of creation as collaborative and told stories of working with Anna Nicole Smith or Christina Aguilera. Aguilera actually came to him a year in advance in order to plan a photo idea for her upcoming album release.


Rolston then provided insight to his role in the industry and his vision for expanding the cannon of beauty. "For me photography is worship." said Rolston, "Human desire is about genetics - survival. The things we consider to be beautiful...go to the core of survival."

In a surprise turn of events the two guest speakers invited the entire audience to join them in a drink, outside on the plaza at our first IRIS Nights complimentary cocktail party.

Needless to say it was a glamorous night out with the Annenberg Foundation and two hundred of Rolston's closest brand new friends

Thank you Mr. Rolston for a lovely evening.

Intoxicating Beauty

It was an incredible privilege to go to Andrew Southam's IRIS Nights lecture at the Annenberg Space for Photography. Southam, an Australian born beauty photographer, spoke with such genuine humility and introspection that it was hard not to fall in love him and his work.

He had such a sweet demeanor that when Southam admitted to a lifelong obsession with female beauty and being 'intoxicated by the fun of it all', the audience seemed to beam.

Throughout his talk Southam illustrated remarkable self-awareness describing himself as a "boy who spent his life, quite literally, on one knee in front of beauty."

He even opened up about sometimes feeling flustered in front of such direct sexuality.

But the core of his honesty was exposed when describing June Browne Newton and her husband Helmut Newton. Southam revered Helmut and became friends with June Newton after her husband's death. She continues to profoundly impact his life and his professional career to this day.

Southam also answered how and why questions regarding his famous techniques. "I am a student of lighting," confessed Southam when describing how he avoided using Photoshop or digital enhancing mechanisms.

"I always wanted to make my subjects look beautiful. I like people to look like they would on their best day," Southam explained when asked why he developed his unique style.

The sincerity of the lecture had the audience complimenting and thanking Southam for such a wonderful job. But, at the end of the day, he confessed that his main desire is to stay true to himself.

"You can only be who you are," said Southam in a statement to sum up the evening. And for both the aspiring photographers and non-photographers, it was probably his best piece of advice.

After the lecture Southam mingled with the crowd including his friends and peers, Joe Pugliese and Art Streiber.

For more information on Andrew Southam and his new photo series click here

Viewfinder

We have heard a lot of great chatter amongst our Annenberg Space for Photography attendees. After compiling some quotes, listening to what visitors thought about the Space and our lecturers, here is what they had to say:

The Andrew Southam lecture

"Loved it! It was so nice to listen to someone talk about art and communicate it so well... instead of just telling stories he got into how he did it and why." "I love the space. It is such a dream for photographers to not have to pay a lot to see such wonderful photos. I need to come and spend a couple hours here."
(Amy Cantrell, photographer, attending 2nd IRIS Nights lecture)


"It was really inspiring. I loved that he was so real about everything."
(Madison Enloe, aspiring photographer, attending her 2nd IRIS Nights lecture)

"[The Space] is an extraordinary gift to LA for both professional photographers and non-photographers. It allows them to interact. We are really gifted to have Annenberg here. Everything is really on the mark."
(Chad Slattery, regular attendee)


"I loved it! I am a non-photographer, unlike my husband. But that is the gift. There are a range of subjects and you don't have to be a photographer to love it - just a human being."
(Donna Lee Slattery, non-photographer, regular attendee)

The next time you're here tell Viewfinder what you think.

Everything Is Beauty: Lecture With Fadil Berisha

What a treat it was to have fashion photographer Fadil Berisha present during our IRIS Nights lecture series yesterday evening.

Fadil has had a global influence throughout his career. He has not only worked with such figures as Tyra Banks, President Bill Clinton, Snoop Dogg and numerous Miss America contestants, but he also played an incredible role in campaigning against the Kosovo massacres.

During his presentation, Fadil explained that his work stems from a genuine love for beauty.

"Beauty is what I really love... I like to live happy and see pretty things all the time. With photographers it has to do with how they feel on the inside and that's what comes out on the photo," proclaimed Fadil during the lecture. "I love to feel happy."

Fadil took a moment during his lecture to speak about his experience photographing the horrific war in Kosovo. Since the topic wasn't related to beauty itself he placed his visual slideshow on pause because he felt it was important to take some time to talk about his experiences with the conflict.

About 10 years ago Albanian photographers contacted Fadil asking him to help promote their cause in the Kosovo war. He told the audience that the pictures they sent him changed his life. He then spent the next couple years raising money and campaigning for awareness. His work and the photos he took made an international impact and helped pressure the United States to get involved.

Fadil told the audience about his first time working with the stunning Carmen Dell'Orefice, the legend who was his inspiration for a Rolex campaign. He said he fell in love when he realized how she stayed young at heart and continued to exude beauty throughout her whole life.

Fadil also gave shout-outs to models Beverly Johnson and Nikki Haskell, who were both in attendance. He raved about how they each possessed that same confidence and beauty he found so alluring in Carmen.

Johnson took the microphone during the Q & A session but she didn't have a question for Fadil. Instead, she took the time to praise the photography by calling him "brilliant" and telling the audience she could not wait to work with him again.

Thanks for an outstanding lecture, Fadil! For more information about him, check out his official website. You can also watch his IRIS Nights lecture online.

(All lecture images by Unique)

Poetic Photography: Lecture With Paul Lange

IRIS Nights lecturer Paul Lange - pictured here in front of his stunning picture of Venus Williams - gave an impressive presentation on the art and technique of photography last night.

Some of the photos on the screen looked more like paintings or digitally constructed portraits then the straight film or digital photography which they truly are. But as Lange pointed out, that was his goal. He manipulated the photos during exposure in-camera by simply experimenting with chemical processing methods.

"A photo is not just a model posing. I want my photographs to be like paintings," said Lange. "I want them to be long living."

He even went into detail explaining how a photo could be double exposed, cross processed or dye transferred - terms that had all the non-photographers struggling to keep up.

"It's fun just playing with the rules. They work more often then they don't work so the key is to just try it," said Lange in reference to his experimental work.

Lange's diverse career led him to the world of fashion, photographing top models and celebrities from around the globe. He combined his fine art training with the fashion staples of good hair, makeup and perfect lighting to create his unique and polished style. Lange still creates all of his photographs in-camera and does not digitally alter them in post-production.

Lange explained that digital filters don't have the poetry that film does. "There is a translucent quality that you get by chance with film..." said Lange passionately, "otherwise it is too uniform."

Lange kept coming back to ideas of mystery, chance, passion and poetry relying on the imagery of a 'paint-like quality' to describe his photographic style.

His unique photographs were not the sole reason this night was different from our other lectures; last night was also the first time the Annenberg Space for Photography held two lectures by a photographer in one evening.

The night was so successful that we hope to do more double-header lectures in the future, giving our guests twice the opportunity to attend!

Thank you Paul Lange for giving two lovely presentations!

(All lecture photos by Unique for the Space)

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