• /the-shot-blog/iris-nights-sneak-peek-alex-kuczynski

    As we enter our final weeks of BEAUTY CULTURE here at the Annenberg Space for Photography, one of the most frequently asked questions from visitors who watch our feature documentary continues to be "Who is that woman in the pearls and blue dress?" The woman whose statements have left such a lasting impression on visitors is our November 17th IRIS Night lecturer, journalist and author, Alex Kuczynski.

    Since Kuczynski will grace us with her presence, along with photographer (and previous IRIS Night lecturer) Susan Anderson, during our final IRIS Night lecturers during the run of BEAUTY CULTURE, it's a great time to learn more about "the woman in the pearls."

    The ambition that would ultimately lead to Kuczynski's success as an award-winning author and reporter appears to run in the family. Her father, Pedro, was a candidate in last year's Presidential election in Peru. John Casey, The National Book Award Winner and novelist, is her maternal uncle. Kuczynski, however, isn't interested in resting on family laurels. Carving out a name for herself as a reporter for The New York Times, she took it one step further and authored an uninhibited, behind-the-scenes examination of the cosmetic surgery industry in her book, Beauty Junkies.

    Beauty Junkies is a revealing view at what is now a demographic-defying $15 billion fixation on youth and physical vitality. In a recent article for Harper's Bazaar, Kuczynski sums up the obsession saying, "The pressure to stay young, and to remain young looking, is at a fever pitch in America. Those seeking the holy grail of youth are driving up the number of cosmetic procedures—with Americans getting more than 13 million of them every year—in their quest for a smooth forehead and taut cheekbones."

    In her book and featured role in the BEAUTY CULTURE documentary, Kuczynski readily admits to experimenting with a few cosmetic procedures in her 20s and 30s, but ultimately realized that "Living out west [in Idaho] has made me release all the ideas I used to have about success, including the quest for that perfect age-defying forehead. In fact, I've discovered that the more I give up, the greater the reward. I stopped trying to think I could do it all—and in part, I was forced to....you can't worry about your hair or your skin because the one practicing dermatologist in our town doesn't even do Botox."

    We hope you'll be joining us for our final IRIS Night lecture with "the woman in the pearls" Alex Kuczynski and High Glitz photographer, Susan Anderson on November 17th for what is certain to be an entertaining and very enlightening conversation. If not, you'll still have a few days to visit BEAUTY CULTURE one more time before its closing day on Sunday, November 27th. We hope to see you soon here at the Space!

  • /the-shot-blog/space-honored-julius-shulman-institute

    Last month, the Annenberg Space for Photography was the recent recipient of a great honor. We were awarded the 2011 Julius Shulman Communication Award, which honors an outstanding contributor and exponent of communication in his or her field. The award is handed out each year by the Julius Shulman Institute at Woodbury University. Gil Garcetti, Diane Keaton and the Cathedral of Our Lady of the Angels have all been past winners.

    Thanks to all of you, our visitors, who have helped make the Photography Space such a great success. We wouldn't be where we are without you!

    Above is classic shot of the Space taken the year we opened. The photographer? Julius Shulman himself!

  • /the-shot-blog/lauren-greenfield-returns-iris-nights

    If you're one of the nearly 50,000 patrons who has visited Beauty Culture since its May opening, we're betting there's a good chance you've departed the Space electrified by filmmaker and featured photographer Lauren Greenfield's documentary of the same name. We were thrilled to learn more about Greenfield's career during her recent IRIS Nights lecture at the Photography Space, as well as the inspirations behind her photographic and filmed accomplishments.

    Greenfield was all smiles as she and her husband (and documentary producer) Frank Evers, arrived at the Space. This was Greenfield's second IRIS Nights lecture. She was also part of the L8S ANG3LES lineup!

    Just before showtime, IRIS Nights attendees wrapped themselves all the way through the exhibit hall anticipating the opening of our gallery seating for Greenfield's lecture.

    One of Greenfield's first images in her retrospective was of Las Vegas showgirl Anne-Margaret. A note taped to the entertainer's mirror reads "I approve of myself." This is one of many Greenfield images involving women that address issues dealing with self-esteem and self-acceptance.

    Greenfield also spoke about an image taken at a beauty pageant for southern belles. The photo captures the contestants in traditional gowns and poses, but juxtaposing these traditions--the girls also flash garter belts on all of their legs.

    Greenfield talked the above image in which a young model walked down the street, while being ogled by three passing men - one of them a hard-hat wearing construction worker. While the audience laughed at Greenfield's retelling of the story behind the picture, she joked that we may be responding with the laughter, but the men's wives probably had a far less humorous response!

    Greenfield's work obviously inspires much discussion with audience members and she was happy to address a number of questions from lecture attendees regarding the psychological and sociological issues behind her images.

    Guest perused copies of Greenfield's best-selling and award-winning books including Girl Culture, Fast Forward and Thin before meeting her for a book-signing in our photography library.

    Visitors had an incredible opportunity to chat one-on-one with Greenfield during the book signing.

    Meanwhile, Evers engages guests in conversation while waiting in the book-signing queue.

    Greenfield happily greeted fans as several photographers maneuver through the crowd to capture the best angle. Despite the often intense and emotional images that she captures, Greenfield and her fans had a delightful evening and we certainly did too! Thank you so much, Lauren!

    You can watch the lecture on our site by clicking here.

    (All lecture images by Unique for the Space)

  • /the-shot-blog/learn-all-about-annenberg-audio-tour

    We live in the Digital Age and it seems like a lot of kids (and adults!) alike are more likely to spend a Saturday swinging a Wii remote over their heads than spending a day looking at art. Don't get us wrong, we at the Annenberg Space for Photography are as guilty as anyone when it comes to our love of technology and this is most obvious with the Annenberg Audio Tour.

     

    We designed the Annenberg Audio Tour— to give guests additional details about select photographs throughout the exhibit. Our audio tour is simple. It consists of a series of QR (that's short for Quick Response) codes printed on caption cards throughout the galleries, headphones and an iPod provided by the front desk at the Space. You can also use your very own smart phone.

    It's very easy to use. If you're not using one of the devices at the Space, just download a QR reader to your own smart phone, scan the QR code on the caption card and enjoy! It's information about the exhibit's photographers and images you can't find anywhere else. Each QR Code leads you deeper into the exhibit, giving you information about numerous images, some of them very iconic, and their subjects that you never knew before. 

    Blog Tags: Photographers
  • /the-shot-blog/lauren-greenfield-comes-full-circle-beauty-culture

    While BEAUTY CULTURE continues to break attendance records here at the Annenberg Space for Photography, we thought now would be a good time as any to publish a post on one of featured photographers, Lauren Greenfield and the documentary film, also titled BEAUTY CULTURE, that accompanies the show. The 30-minute film was directed by the award-winning photographer herself.

    Produced by her husband and producing partner, Frank Evers, Greenfield filmed the documentary over the course of several months in Los Angeles, New York and Paris. Her intent was to create a film that focused on the sociological and psychological perceptions of beauty from a cross-cultural viewpoint.

    Regarding her work on BEAUTY CULTURE Greenfield says, "A lot of the things I photograph are interconnected: from the young girls and the kind of precocious sexualization of young girls, to the vanity of teenagers and the kind of struggle to establish your identity as a teenager, to women and older women facing the challenge of getting older in a youth-obsessed culture. So this project, BEAUTY CULTURE, allowed me to kind of bring the work full circle and look at all aspects."

    The film has been met with resounding praise from many guests here at the photography space citing Los Angeles--with its Hollywood machine and incessant promotion of the billion-dollar cosmetics industry--as an ideal location for a film addressing warped ideals of beauty.

    BEAUTY CULTURE is certainly not Greenfield's first foray into filmmaking. Her documentary Thin premiered on HBO in 2006, also screening at the Sundance Film Festival. A film dealing with eating disorders of young women, Thin went on to earn Greenfield an Emmy nomination for Best Director of Non-Fiction Programming. Her follow-up doc kids + money, also broadcast on HBO, won the Audience Award for Best Short Film at the AFI Film Festival among other honors.

    The film, which features interviews with Jamie Lee Curtis, Tyen, Crystal Renn and many others, screens throughout the day at the Space. Make sure you come see it before the exhibit closes next month.

    As for Greenfield, she will return to the Space as our IRIS Nights lecturer on Thursday, October 13, in what is sure to be a standing-room only event!

  • /the-shot-blog/recent-developments-catherine-opie

    If you haven't been to MOCA in downtown Los Angeles recently, you'd better hurry. Its current exhibit, The Personal is Political: Women Artists from the Collection will close on October 10.

    We're particularly excited because MOCA's exhibit prominently displays an original chromogenic print of Catherine Opie's "Self-Portrait" (1993). You may remember that Opie was one of the 11 photographers who were part of our inaugural exhibit, L8S ANG3LES. In her work, Opie (who once described herself as "a kind of twisted social documentary photographer") intimately explores concepts of identity. Her powerful self-portraits and her documentation of the gay, lesbian, bisexual, transgendered and transvestite community have received national attention. You can read more about Opie and see some of her work in our past exhibitions archive.

    Of course, "Self-Portrait" fits in perfectly with the other artists' works in Personal is Political, who work in every media from oil paint to video installation, but share a common interest in body politics. But, we have to say, we've got a soft spot for the photography in the exhibit.

  • /the-shot-blog/leonard-nimoy-beams-iris-nights

    The one and only Leonard Nimoy stepped up on stage at IRIS Nights last night. He wasn't here to talk about his acting career but to discuss his life as a highly respected photographer.

    Introducing Nimoy at the lecture was New York Times Lens Blog writer James Estrin. The two are seen here chatting in the green room beforehand. Looks like they've become fast friends! Nimoy started the lecture by recounting a story about a time he was walking in Los Angeles with Tom Hanks. The two encountered a man who wanted to have his photo taken with Hanks. When Hanks asked who would take the picture, the man turned to Nimoy and said "Oh, Mr. Nimoy, you're a wonderful photographer. Can you take the picture?" Nimoy, who maintained such an enviable sense of humor throughout the lecture, joked that it was that story that gave him "street credibility" as a photographer. We think he had street cred long before then! Nimoy spoke at length about his photography, including one of his most well-known works, "The Full Body Project." He explains how he became involved with the women in the above photo, all members of the Fat Bottom Revue burlesque  group. Nimoy revealed that he does not do photojournalism. He prefers shooting projects in a controlled environment. Nimoy's "Secret Selves" was the first time he ever used color in his photography. "Secret Selves" focused on people bringing out their secret, hidden or fantasy selves to Nimoy and his camera. Nimoy is a very prolific photographer.  Apparently there are thousands of photos that he's taken which have yet to see the light of day. Personally, we can't wait to see more! Nimoy stuck around after his talk to sign copies of his books The Full Body Project for fans. Were you one of the lucky few to get him to sign a copy of the book? Nimoy's wife was in attendance last night. Here she is, on the left, posing with him in front of one of the first images visitors come across in the BEAUTY CULTURE exhibit, his most well-known photo from "The Full Body Project." After expressing his gratitude to the packed room for attending his lecture, he signed off with this very familiar quote: "live long and prosper!" Thanks for such a thoughtful, entertaining and enlightening lecture last night, Leonard! You can watch the lecture on our site by clicking here. (All lecture images by Unique for the Space)

  • /the-shot-blog/beauty-pageant-culture

    You'll find an array of photos of beauty pageant contestants in BEAUTY CULTURE. From Miss Senior California, the one and only Pink Lady (you might recognize her Botox-injected lips from our exhibit banners throughout L.A.) to Susan Anderson's toothy-smiled, Beauty, age 4, which greets visitors in the Space's entrance hallway - we see these women prepping for the show and competing as well.

    But what happens after the contest?

    In celebration of the Miss USA pageant's 60th anniversary, Time Magazine recently asked Anderson (who lectured at the Space and signed copies of her book, High Glitz, on June 16) to shoot portraits of 31 of its past winners.  These queens still have some set ideas about pageant culture.

    Miriam (Stevenson) Breckenridge (Miss USA, 1954) now 78, told Time: "...you don't want to be thought of just as the beauty queen. People only remember me for being Miss USA and Miss Universe even all these years later."

    Meanwhile, 75-year-old Myrna Hanson (Miss USA, 1953) weighed in on artificial beauty: "At that time, you didn't dare put any pads in your bathing suit, but now I look around and see silicone everywhere. I don't think young people need silicone any place, any time anywhere. It's what you do with what you've got that counts."

    To see all of Andersen's portraits in the Time piece, click here.

    If you haven't yet seen BEAUTY CULTURE, come see it now before it goes away in November!

  • /the-shot-blog/nikki-sixx-rocks-space

    A bona fide rock star lecturer, Mötley Crüe bass guitarist NIkki Sixx, rocked IRIS Nights last night! Some people may not be aware but bass guitar isn't the only instrument Nikki takes seriously - cameras also play a large role in his life.

    Visitors lined up outside of the Space well before doors opened at 6pm.

    Joining Nikki for this lecture was journalist and author Kristine McKenna. The long-time Los Angeles music writer did a stellar job picking Nikki's brain about his photography in a revealing and candid discussion.

    Nikki told Kristine that he has been photographing for over 30 years but started to take it more seriously in 1989. Quite impressively, he's completely self-taught in the medium.

    Nikki told a poignant story about the Coney Island clown in this photo. He told Nikki said that most people took his picture because he was a "freak" but felt that this image captured his outer beauty.

    Nikki doesn't believe beauty is only defined in the pages of People magazine's "100 Most Beautiful People" issue. He reiterated throughout the talk that beauty is everywhere: "being an individual is so rewarding."

    Here's a recent photo taken by Nikki of a female teenage fan paying homage to the rock star by replicating one of his looks from the 1980s. Check out a photo of vintage Nikki here.

    Kristine asked Nikki about the kind of cameras he uses in his photography and he revealed that he uses everything from Holgas to Leicas. But he stressed that it doesn't matter what kind of camera you use to take pictures. Use the best tool in your hand to capture the moment!

    Nikki takes loads of self portraits. Why? According to him it's simply because no one else is ever around!

    While Nikki said he doesn't feel ready to publicly exhibit his photos quite yet (he'd like to first nail down a theme), we can't wait until the time comes.

    Nikki's girlfriend, model Courtney Bingham, was also in the audience. As his muse of sorts, Nikki said that she has inspired him to start to dabble in fashion photography.

    Annenberg Foundation executive director Leonard Aube stopped by for a post-lecture chat.

    Nikki couldn't resist adding his own answer to the white board question about beauty and age located in our workshop area.

    Nikki showed us tonight that not only is he a rock star in the music world but a rock star photographer as well! Thank you Nikki and Kristine for an awesome night!

    For more information about Nikki's photography, visit his tumblr site.

    (All lecture images by Unique for the Space)

  • /the-shot-blog/photo-link-round-0

    Check out what is happening in the photography world this week!

    1. In honor of Kodak's ten year anniversary of its first digital zoom camera,

    DC Views has compared elements of photography from when it was a 'digital science' to the 'easy sharing' aspect of today.

    2. In a timely web 'service' offering Military personnel are remembering their time in service with photo books offered specially by the Military Yearbook Printing Company....but sometimes uploading pictures to a website can be extremely complicated.

    3. Hollywood photographer David Strick is suing the Los Angeles Times for illegally publishing 174 of his photos.

    The law suit could potentially cost $150,000 for each infringement, and there are 510 alleged violations!

    4. When David Strick seemed to deliver too many photos, wedding photographer Gerald Randolph Byrd didn't deliver enough.

    In fact Byrd refused to hand over the photos and is now serving two years of house arrest for fraudulent intent. The original sentence was eight years in prison.

    5. But on a lighter note National Geographic has announced the "Best Travel Pictures of 2011" and they are incredible.
    Photograph by Robin Moore

    Click here to check them out.

    Photograph by Becky Kagan Schott

    We hope you have fun surfing the web for more photography updates!

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