
As we enter our final weeks of BEAUTY CULTURE here at the Annenberg Space for Photography, one of the most frequently asked questions from visitors who watch our feature documentary continues to be "Who is that woman in the pearls and blue dress?" The woman whose statements have left such a lasting impression on visitors is our November 17th IRIS Night lecturer, journalist and author, Alex Kuczynski.
Since Kuczynski will grace us with her presence, along with photographer (and previous IRIS Night lecturer) Susan Anderson, during our final IRIS Night lecturers during the run of BEAUTY CULTURE, it's a great time to learn more about "the woman in the pearls."
The ambition that would ultimately lead to Kuczynski's success as an award-winning author and reporter appears to run in the family. Her father, Pedro, was a candidate in last year's Presidential election in Peru. John Casey, The National Book Award Winner and novelist, is her maternal uncle. Kuczynski, however, isn't interested in resting on family laurels. Carving out a name for herself as a reporter for The New York Times, she took it one step further and authored an uninhibited, behind-the-scenes examination of the cosmetic surgery industry in her book, Beauty Junkies.

Beauty Junkies is a revealing view at what is now a demographic-defying $15 billion fixation on youth and physical vitality. In a recent article for Harper's Bazaar, Kuczynski sums up the obsession saying, "The pressure to stay young, and to remain young looking, is at a fever pitch in America. Those seeking the holy grail of youth are driving up the number of cosmetic procedureswith Americans getting more than 13 million of them every yearin their quest for a smooth forehead and taut cheekbones."
In her book and featured role in the BEAUTY CULTURE documentary, Kuczynski readily admits to experimenting with a few cosmetic procedures in her 20s and 30s, but ultimately realized that "Living out west [in Idaho] has made me release all the ideas I used to have about success, including the quest for that perfect age-defying forehead. In fact, I've discovered that the more I give up, the greater the reward. I stopped trying to think I could do it alland in part, I was forced to....you can't worry about your hair or your skin because the one practicing dermatologist in our town doesn't even do Botox."
We hope you'll be joining us for our final IRIS Night lecture with "the woman in the pearls" Alex Kuczynski and High Glitz photographer, Susan Anderson on November 17th for what is certain to be an entertaining and very enlightening conversation. If not, you'll still have a few days to visit BEAUTY CULTURE one more time before its closing day on Sunday, November 27th. We hope to see you soon here at the Space!


If you're one of the nearly 50,000 patrons who has visited Beauty Culture since its May opening, we're betting there's a good chance you've departed the Space electrified by filmmaker and featured photographer Lauren Greenfield's documentary of the same name. We were thrilled to learn more about Greenfield's career during her recent IRIS Nights lecture at the Photography Space, as well as the inspirations behind her photographic and filmed accomplishments.











While BEAUTY CULTURE continues to break attendance records here at the Annenberg Space for Photography, we thought now would be a good time as any to publish a post on one of featured photographers, Lauren Greenfield and the documentary film, also titled BEAUTY CULTURE, that accompanies the show. The 30-minute film was directed by the award-winning photographer herself.



Introducing Nimoy at the lecture was New York Times Lens Blog writer James Estrin. The two are seen here chatting in the green room beforehand. Looks like they've become fast friends!
Nimoy started the lecture by recounting a story about a time he was walking in Los Angeles with Tom Hanks. The two encountered a man who wanted to have his photo taken with Hanks. When Hanks asked who would take the picture, the man turned to Nimoy and said "Oh, Mr. Nimoy, you're a wonderful photographer. Can you take the picture?"
Nimoy, who maintained such an enviable sense of humor throughout the lecture, joked that it was that story that gave him "street credibility" as a photographer. We think he had street cred long before then!
Nimoy spoke at length about his photography, including one of his most well-known works, "The Full Body Project." He explains how he became involved with the women in the above photo, all members of the Fat Bottom Revue burlesque group.
Nimoy revealed that he does not do photojournalism. He prefers shooting projects in a controlled environment.
Nimoy's "Secret Selves" was the first time he ever used color in his photography. "Secret Selves" focused on people bringing out their secret, hidden or fantasy selves to Nimoy and his camera.
Nimoy is a very prolific photographer. Apparently there are thousands of photos that he's taken which have yet to see the light of day. Personally, we can't wait to see more!
Nimoy stuck around after his talk to sign copies of his books The Full Body Project for fans. Were you one of the lucky few to get him to sign a copy of the book?
Nimoy's wife was in attendance last night. Here she is, on the left, posing with him in front of one of the first images visitors come across in the BEAUTY CULTURE exhibit, his most well-known photo from "The Full Body Project."
After expressing his gratitude to the packed room for attending his lecture, he signed off with this very familiar quote: "live long and prosper!" Thanks for such a thoughtful, entertaining and enlightening lecture last night, Leonard! You can watch the lecture on our site by clicking
You'll find an array of photos of beauty pageant contestants in BEAUTY CULTURE. From Miss Senior California, the one and only Pink Lady (you might recognize her Botox-injected lips from our exhibit banners throughout L.A.) to Susan Anderson's toothy-smiled, Beauty, age 4, which greets visitors in the Space's entrance hallway - we see these women prepping for the show and competing as well.
Visitors lined up outside of the Space well before doors opened at 6pm.
















Photograph by Robin Moore
Photograph by Becky Kagan Schott




