• /the-shot-blog/watch-who-shot-rock-roll-video-teaser

    "I want my MTV?" Not this summer when the new music catchphrase will be "I want my ASP." Via the above 30 second video teaser, take a peek at what you'll see when Who Shot Rock & Roll rolls into the Annenberg Space for Photography this summer. Mark your calendars for opening day: June 23.

  • /the-shot-blog/coming-summer-who-shot-rock-roll

    We're very excited about our next exhibit, Who Shot Rock & Roll: A Photographic History, 1955 to the Present! The show, which features 166 prints by over 100 photographers, was originally shown and created by the Brooklyn Museum. The summer exhibit will include an original documentary Annenberg Space for Photography film (as we always do) with interviews and behind-the-scenes footage of photographers Ed Colver, Henry Diltz, Jill Furmanovsky, Lynn Goldsmith, Bob Gruen, Norman Seeff, Mark Seliger and Guy Webster. There'll also be appearances by rock stars Alice Cooper and Henry Rollins. Click here for more information. Mark June 23 down on your calendar!

  • /the-shot-blog/lauren-greenfield-returns-iris-nights

    If you're one of the nearly 50,000 patrons who has visited Beauty Culture since its May opening, we're betting there's a good chance you've departed the Space electrified by filmmaker and featured photographer Lauren Greenfield's documentary of the same name. We were thrilled to learn more about Greenfield's career during her recent IRIS Nights lecture at the Photography Space, as well as the inspirations behind her photographic and filmed accomplishments.

    Greenfield was all smiles as she and her husband (and documentary producer) Frank Evers, arrived at the Space. This was Greenfield's second IRIS Nights lecture. She was also part of the L8S ANG3LES lineup!

    Just before showtime, IRIS Nights attendees wrapped themselves all the way through the exhibit hall anticipating the opening of our gallery seating for Greenfield's lecture.

    One of Greenfield's first images in her retrospective was of Las Vegas showgirl Anne-Margaret. A note taped to the entertainer's mirror reads "I approve of myself." This is one of many Greenfield images involving women that address issues dealing with self-esteem and self-acceptance.

    Greenfield also spoke about an image taken at a beauty pageant for southern belles. The photo captures the contestants in traditional gowns and poses, but juxtaposing these traditions--the girls also flash garter belts on all of their legs.

    Greenfield talked the above image in which a young model walked down the street, while being ogled by three passing men - one of them a hard-hat wearing construction worker. While the audience laughed at Greenfield's retelling of the story behind the picture, she joked that we may be responding with the laughter, but the men's wives probably had a far less humorous response!

    Greenfield's work obviously inspires much discussion with audience members and she was happy to address a number of questions from lecture attendees regarding the psychological and sociological issues behind her images.

    Guest perused copies of Greenfield's best-selling and award-winning books including Girl Culture, Fast Forward and Thin before meeting her for a book-signing in our photography library.

    Visitors had an incredible opportunity to chat one-on-one with Greenfield during the book signing.

    Meanwhile, Evers engages guests in conversation while waiting in the book-signing queue.

    Greenfield happily greeted fans as several photographers maneuver through the crowd to capture the best angle. Despite the often intense and emotional images that she captures, Greenfield and her fans had a delightful evening and we certainly did too! Thank you so much, Lauren!

    You can watch the lecture on our site by clicking here.

    (All lecture images by Unique for the Space)

  • /the-shot-blog/lauren-greenfield-comes-full-circle-beauty-culture

    While BEAUTY CULTURE continues to break attendance records here at the Annenberg Space for Photography, we thought now would be a good time as any to publish a post on one of featured photographers, Lauren Greenfield and the documentary film, also titled BEAUTY CULTURE, that accompanies the show. The 30-minute film was directed by the award-winning photographer herself.

    Produced by her husband and producing partner, Frank Evers, Greenfield filmed the documentary over the course of several months in Los Angeles, New York and Paris. Her intent was to create a film that focused on the sociological and psychological perceptions of beauty from a cross-cultural viewpoint.

    Regarding her work on BEAUTY CULTURE Greenfield says, "A lot of the things I photograph are interconnected: from the young girls and the kind of precocious sexualization of young girls, to the vanity of teenagers and the kind of struggle to establish your identity as a teenager, to women and older women facing the challenge of getting older in a youth-obsessed culture. So this project, BEAUTY CULTURE, allowed me to kind of bring the work full circle and look at all aspects."

    The film has been met with resounding praise from many guests here at the photography space citing Los Angeles--with its Hollywood machine and incessant promotion of the billion-dollar cosmetics industry--as an ideal location for a film addressing warped ideals of beauty.

    BEAUTY CULTURE is certainly not Greenfield's first foray into filmmaking. Her documentary Thin premiered on HBO in 2006, also screening at the Sundance Film Festival. A film dealing with eating disorders of young women, Thin went on to earn Greenfield an Emmy nomination for Best Director of Non-Fiction Programming. Her follow-up doc kids + money, also broadcast on HBO, won the Audience Award for Best Short Film at the AFI Film Festival among other honors.

    The film, which features interviews with Jamie Lee Curtis, Tyen, Crystal Renn and many others, screens throughout the day at the Space. Make sure you come see it before the exhibit closes next month.

    As for Greenfield, she will return to the Space as our IRIS Nights lecturer on Thursday, October 13, in what is sure to be a standing-room only event!

  • /the-shot-blog/beauty-pageant-culture

    You'll find an array of photos of beauty pageant contestants in BEAUTY CULTURE. From Miss Senior California, the one and only Pink Lady (you might recognize her Botox-injected lips from our exhibit banners throughout L.A.) to Susan Anderson's toothy-smiled, Beauty, age 4, which greets visitors in the Space's entrance hallway - we see these women prepping for the show and competing as well.

    But what happens after the contest?

    In celebration of the Miss USA pageant's 60th anniversary, Time Magazine recently asked Anderson (who lectured at the Space and signed copies of her book, High Glitz, on June 16) to shoot portraits of 31 of its past winners.  These queens still have some set ideas about pageant culture.

    Miriam (Stevenson) Breckenridge (Miss USA, 1954) now 78, told Time: "...you don't want to be thought of just as the beauty queen. People only remember me for being Miss USA and Miss Universe even all these years later."

    Meanwhile, 75-year-old Myrna Hanson (Miss USA, 1953) weighed in on artificial beauty: "At that time, you didn't dare put any pads in your bathing suit, but now I look around and see silicone everywhere. I don't think young people need silicone any place, any time anywhere. It's what you do with what you've got that counts."

    To see all of Andersen's portraits in the Time piece, click here.

    If you haven't yet seen BEAUTY CULTURE, come see it now before it goes away in November!

  • /the-shot-blog/spotted-space-mena-suvari-and-billy-zane

    Here are a couple of photos of two celebrities who (separately) recently visited BEAUTY CULTURE: Actress Mena Suvari...

    ...and actor Billy Zane who brought his model girlfriend Jasmina Hdagha and their adorable baby daughter Eva.

  • /the-shot-blog/spotted-space-fran-drescher

    BEAUTY CULTURE's run at the Space is currently at it's half-way point and visitors continue to flock to the show. Among those who stopped by this past weekend was Fran Drescher, who was super-friendly. Thanks for checking out the exhibit, Fran!

  • /the-shot-blog/brian-bowen-smith-beauty-what-you-make-it

    Not even a broken leg could stop photographer Brain Bowen Smith from giving a rousing lecture at IRIS Nights last night.

    Brian did not intend to define beauty last night but instead explained that he believes that the topic is truly subjective.

    He described how the combination of luck, guts and fate landed him his first job with famed photographer Herb Ritts, who would later become his mentor. According to Brian, Ritts taught him how to adeptly manipulate natural light and use photography to translate a model's true self.

    But his most significant contribution was the idea of simplicity. "Beauty is simplicity and everything revolves around beauty," said Brian. "So I want to keep it simple."

    Brian revealed that Ritts's style has been a source of inspiration throughout his professional career. Here's a photo that has a hint of Ritts but is truly all Brian Bowen Smith.

    Brian reiterated his belief in simplicity. "Don't make a big deal about it," offered Brian. "Have fun. Keep it simple."

    His exuberant and animated personality had the audience engaged and laughing the entire night.

    As one audience member put it, "he was so personable and such a good speaker. I was amazed by him!"

    Thanks for a terrific lecture, Brian. Here's to a quick recovery!

    For more information about Brian, visit his website.

    (All lecture images by Unique for the Space)

  • /the-shot-blog/view-finder-brian-bowen-smith-lecture

    What did our IRIS Nights attendees think of Brian Bowen Smith? Here are some of their thoughts:

    "He was so personable and such a good speaker. I was amazed by him!"
    --Jesse Ruoff, regular IRIS Nights attendee, apparel designer

    "To see all these pictures in an exhibit is pretty amazing. It is just beautiful the way it is laid out. I will definitely come again."
    -- Ariana Trinneer, guest of lecturer Brian Bowen Smith

    "The Space is terrific the way it shows photography. You get enough to make it significant but you don't get too overwhelmed"
    --Marshall Feldman, first time visitor

    "I love this place. I can benefit a lot from it because it really contributes to me as a professional but also as a person. I think so highly of the Annenberg Space for Photography. There is no other museum like it!"
    -- Nini Valentina, regular Photo Space visitor, professional make-up artist

    "I think the space is state-of-the-art! [Wallis Annenberg] went all out. Her generosity of spirit is so profound. It's such an invitation to the public.... Bottom line is that I am really impressed."
    -- Dawn Moreno-Freedman, first time visitor

    (All lecture images by Unique for the Space)

    For more about Brian visit his website

  • /the-shot-blog/poetic-photography-lecture-paul-lange

    IRIS Nights lecturer Paul Lange - pictured here in front of his stunning picture of Venus Williams - gave an impressive presentation on the art and technique of photography last night.

    Some of the photos on the screen looked more like paintings or digitally constructed portraits then the straight film or digital photography which they truly are. But as Lange pointed out, that was his goal. He manipulated the photos during exposure in-camera by simply experimenting with chemical processing methods.

    "A photo is not just a model posing. I want my photographs to be like paintings," said Lange. "I want them to be long living."

    He even went into detail explaining how a photo could be double exposed, cross processed or dye transferred - terms that had all the non-photographers struggling to keep up.

    "It's fun just playing with the rules. They work more often then they don't work so the key is to just try it," said Lange in reference to his experimental work.

    Lange's diverse career led him to the world of fashion, photographing top models and celebrities from around the globe. He combined his fine art training with the fashion staples of good hair, makeup and perfect lighting to create his unique and polished style. Lange still creates all of his photographs in-camera and does not digitally alter them in post-production.

    Lange explained that digital filters don't have the poetry that film does. "There is a translucent quality that you get by chance with film..." said Lange passionately, "otherwise it is too uniform."

    Lange kept coming back to ideas of mystery, chance, passion and poetry relying on the imagery of a 'paint-like quality' to describe his photographic style.

    His unique photographs were not the sole reason this night was different from our other lectures; last night was also the first time the Annenberg Space for Photography held two lectures by a photographer in one evening.

    The night was so successful that we hope to do more double-header lectures in the future, giving our guests twice the opportunity to attend!

    Thank you Paul Lange for giving two lovely presentations!

    (All lecture photos by Unique for the Space)

Pages

Copyright © 2014. The Annenberg Space for Photography. All rights reserved.
Privacy & Accessibility Statement
Sitemap