• /the-shot-blog/watch-our-new-iris-nights-video

    Over the last four years, we've had close to 200 amazing lecturers participate in Iris Nights. Most of those lectures are available to watch on our website - for free! We've just completed a brand new highlights reel (if you will) of just some of the countless absorbing moments we've captured during these talks. Click "Read More" to watch the video. Iris Nights - the compelling stories behind the remarkable images!

  • /the-shot-blog/passion-fashion


    © Neal Barr

    By Neal Barr

    The challenge in photographing fashion has always been to show it in its best silhouette, while enhancing its ability to move and create a pleasing shape that closely follows a models attitude and movements. If you can accomplish this, whether on a seamless background or in an exotic location, that’s everything. As a New York City fashion photographer for more than 40 years, I have generally preferred to keep my backgrounds simple, and I've always sought ways to enhance the fashion itself, through lighting effects, styling and movement.

  • /the-shot-blog/unpredictable-world-celebrity-photography


    © Tony Duran

    By Tony Duran

    What is so interesting about the world of celebrity photography is that it is so unpredictable and, quite frankly, out of the photographer's control.  My photographic style developed by shooting all kinds of celebrities in all kinds of situations.  My main partner in crime and collaborator who has given me,  without doubt, most of my tools of the trade, is Jennifer Lopez. Spontaneity, of the moment decision-making, and flexibility are the keys to capturing her larger than life persona.  Confidence in one's self as an artist has gotten me through many over the top moments and has brought me to what has ultimately led me to many memorable and iconic shots.

    Blog Tags: Iris Nights, Tony Duran
  • /the-shot-blog/model-sylvia-gobbel-working-helmut-newton

    Self-Portrait with Wife and Models, Vogue Studios, Paris 1981

    ©Estate of Helmut Newton

    By Sylvia Gobbel

    The first time I met Helmut Newton was when my agency sent me to a casting call for French Vogue for the haute couture summer collections which were shot by Helmut Newton. I was 19 and had been in Paris for just two weeks. A long line of beautiful models was waiting to be recieved by the master and suddenly Helmut stood up, looked at me and asked me to step forward….He interviewed me about my origins and since I’m Austrian, we started to speak German immediatly together. Helmut spoke a very fine and charming upperclass German from Berlin, which pleased my ear.

    He told me that he would love to shoot the haute couture French Vogue with me but was much more interested in seeing if I would like to shoot some nudes for his next book. I had never posed nude before, but, since I loved his work, I accepted right away.

    Helmut was tired that day; he just had his third heart attack and he was in convalescents.

    Soon we shot for French Vogue and, a few days after, our first nude titled Sylvia In My Studio. At that time Helmut still had his studio in Paris (rue de L’Abbé de l’Epée), where he was living with his wife June. After makeup and hair, just so I wouldn’t be embarrassed in front of everyone, Helmut sent everybody else home. The only person who remained with us was June, who made the shoot really comfortable for me.

    June and Helmut were the most loving couple I’ve ever met. Such a complicity, so much sense of humor and tenderness…

    We worked until late at night and we shot a great pic standing at the window, while it was dark outside….I had to wear very high heel shoes, such as Louboutins, but in the eighties you only could find those kind of shoes in Pigalle, the shopping and working area for prostitutes and transvestites. Helmut loved to go shopping in that neighborhood for his shoots, because he could find all kinds of strange accessories for his work.

    After that first shoot I had the chance to work with Helmut quite a bit. I was his muse for a few years…You can see many of the nudes that we did together at Helmut Newton: White Women • Sleepless Nights • Big Nudes, currently at the Annenberg Space for Photography. I also had the chance to be on the cover of his book, Big Nudes (published in 1981) which he dedicated to me. We shot lots of campaigns together such as VERSACE POMELLATO AMICA..etc. I lost contact with Helmut once I stopped working as a model. My biggest regret is that I didn’t meet him one last time to thank him for everything he did for me.

    Images of Sylvia Gobbel modeling for Helmut Newton can be seen in Helmut Newton: White Women • Sleepless Nights • Big Nudes. For more information about Gobbel, please see her official website here.

     

  • /the-shot-blog/helmut-newton-exhibit-opening-celebration

    Last night the Photography Space feted famed photographer Helmut Newton and the launch of our latest show, Helmut Newton: White Women • Sleepless Nights • Big Nudes. The opening exhibit gala featured friends of the legendary photographer as well those who admire him and his work. Click "read more" to see some great photos from the party.

  • /the-shot-blog/helmut-newton-and-behind-every-great-man
    © Estate of Helmut Newton

    By Vibeke Knudsen

    Rue Aubriot is one of the most enduring photographs I have had the privilege of being a part of.

    It was the last shot in a series of photographs for the collections for French Vogue. Working with Helmut Newton was always “charged," as he was a god among fashion photographers.

    The shoot took place at night. That was the only time that the collections were available for photography. We had breezed through the other shots and it was about 2 am when we pulled up in front of Helmut’s studio to do this last shot in the street.

    As I came out of the (small) mini van, where we changed outfits, and stood under a single streetlight, it very quickly became clear that the energy had shifted and heightened.

    It wasn’t just that the photographer was Helmut, the editor for the shoot was Francine Cressant, the hairdresser was Alexandre (lui meme), the makeup artist Jacques Clement, and that the suit being shot was a perfect example of YSL - at his best. It was, indeed, a collaboration of masters of their trade… and then there was a moment of magic thrown in. It seemed that we were all aware that something special was attached to the moment.

    Helmut insisted on shooting with the streetlight only, which meant I had to stand completely still for two seconds - that’s a long time in stilettoes on cobblestones!

    At this point, the atmosphere was that of total focus. No one but Helmut spoke.

    While he was shooting, Helmut asked us all to come back the following night. He was already planning his next shot. He wanted me to use the same pose with a nude model (Aya) standing next to me. I was asked to wear the same suit. Aya was not completely nude in this shot; she wore high heels and a hat with a veil. Helmut included both shots in his book, White Women.

    Since then, the two photographs have often appeared side by side. They have remained relevant, modern and perfectly classic.

    There have been many attempts to replicate this photo, many ”inspirations” to ”duplicate” this photo. I have been part of a few indirect homages and even when they were beautiful, they have always fallen short.

    Such is the special vision, focus and quality of Helmut Newton. All hail to the king!

    And as for ”behind every great man, stands a great woman.” Never was this more true than in the collaboration of Helmut and June. June Newton, aka Alice Springs, was Helmut’s muse, inspiration and partner. June is a wonderful photographer in her own right and Helmut was her greatest fan. The woman behind Helmut was a part of his greatness.

    I feel very fortunate to have worked as much as I did with Helmut Newton and very proud to be the model in Rue Aubriot. Thank you Helmut, thank you June.

    Vibeke Knudsen was born in Denmark and has worked as a model in Europe and America for 40 years. In the 70's she often worked with Helmet Newton and considers herself fortunate to have collaborated with many of her profession's most gifted photographers. She now spends her time traveling. See this image and over 100 others at the Annenberg Space for Photography in Helmut Newton: White Women • Sleepless Nights • Big Nudes.

  • /the-shot-blog/helmut-newton-arrives-june-29th

    Our next exhibit is the very first solo show at the Annenberg Space for Photography and boy is it a doozy. Helmut Newton: White Women • Sleepless Nights • Big Nudes presents the work of one of the most revolutionary and influential photographers of the past century. Newton's provocative images of women brought eroticism to fashion photography. In his photos, art, fashion, subverison and aspiration collide. The exhibit opens on Saturday June 29, 2013.

    Watch the video teaser above for a sneak peek of the show.

    Blog Tags: Helmut Newton, Video, Exhibit
  • /the-shot-blog/digital-darkroom-film-wins-award

    Congratulations to Arclight Productions on their recent win at the New Media Film Festival here in Los Angeles. Their film, Digital Darkroom: The Art of 3D won Best in Category for 3D Content. The short documentary film was presented exclusively at the Annenberg Space for Photography's Digital Darkroom exhibition.

    The 4th annual New Media Film Festival was held on June 11 & 12, 2013 at the Landmark Theater in Los Angeles.

    Watch Digital Darkroom: The Art of 3D (in either 3D and 2D!) in its entirety here.

  • /the-shot-blog/nina-berman-front-one-her-photographs

    Nina Berman/NOOR, Marine Wedding, 2006. From the series Marine Wedding, 2006-2008.

    Just before her Iris Nights lecture at the Space last week, photographer Nina Berman posed in front of her famous image of a 2006 marine wedding.

    Photo of Nina by Unique Nicole at the Space

  • /the-shot-blog/carlos-orjuela-visits-space

    By now, Los Angelenos have seen the face of U.S. Marine Gysgt. Carlos “OJ” Orjuela all over the city. Louie Palu's powerful photo of Orjuela was part of our street banner campaign. The latter came in with his son for the final weekend of War/Photography. Read Palu's story behind the photograph here and our interview with Orjuela here.

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